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    |  | Korean 
      Cinema Recommendations by LunaSea |  | 
   
    |  | As you might have 
      noticed, reviewer LunaSea's favorite films come from Korea. This is a list 
      that includes his favorite Korean films from the past, present and future, 
      and will frequently be updated. Unlike his reviews - where he pretends to 
      be objective - this is a list of what he enjoys on a personal level. |  | 
   
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 |  | 
   
    |  |  | Art 
      Museum By The Zoo (1998) There's a reason Lee Jung-hyang (who also directed superhit The Way Home) 
      is one of the most adored directors in Korea by critics and fans alike. 
      Her ability to tell interesting stories - with unconventional, quirky style 
      - is almost unmatched in the industry. At first sight this may seem like 
      another romantic comedy. However, the understated pace, the chemistry between 
      Lee Sung-jae and Shim Eun-ha, and the delightful score create an irresistible 
      atmosphere of sweet, quiet beauty.
 |  | 
   
    |  |  | Christmas in 
      August (1998) LunaSea's favorite film. Ever. 1998 was a magic year for Shim Eun-ha thanks 
      to this film and Art Museum By The Zoo. Christmas in August 
      is her breakout performance, and made her a superstar. Hur Jin-ho's film 
      has an understated tone that often recalls Japanese master Yasujiro Ozu. 
      The characters are realistic and interesting, and the story never becomes 
      the manipulative mess most other directors would have made. Christmas 
      in August is deservedly acclaimed as an all-time classic of Korean Cinema.
 |  | 
   
    |  |  | Flower 
      Island (2001) Poetry in motion. Song Il-gon made a big impression with his short Picnic, 
      but who would have thought his first feature would be so good? This film 
      has a visceral power that very few films possess. Flower Island marks 
      one of those rare occasions when a small work becomes timeless thanks to 
      memorable characters and an involving story. If you see a (female) buddy 
      road movie this year, make Flower Island your choice.
 |  | 
   
    |  |  | The 
      Foul King (2000) Kim Ji-woon's comedy is a riot, but it also offers some food for thought. 
      Song Kang-ho is the ultimate underdog trying to achieve something meaningful, 
      even if it means donning a mask and pretending to beat up people in a wrestling 
      ring. Other than Song Kang-ho's usual greatness (he performed all his own 
      stunts!), the film features a hilarious performance from Korea's most underappreciated 
      supporting actor, Park Sang-myun. The Foul King is laugh-out-loud 
      funny but never dumb, and features intelligent characters and quirky, tongue-in-cheek 
      plot developments. The film also teaches you how to escape a headlock. What 
      more could you possibly ask for?
 |  | 
   
    |  |  | Green 
      Fish (1997) Lee Chang-dong's debut film is an amazing one. It's honest, shocking, touching 
      and uncompromising. Han Suk-kyu is at his best here, and Lee's ability to 
      draw compelling characters out of everyday people is probably what makes 
      him great. The film also has a vaguely nostalgic feeling hidden underneath 
      commentary on Korea's rapid industrialization. Lee Chang-dong continued 
      his fine work with the excellent Peppermint Candy, and it seems like 
      his latest, Oasis, might be just as good.
 |  | 
   
    |  |  | Happy End (1999) Mix Korea's two best actors (Choi Min-shik, Jeon Do-yeon), a third man, 
      and a baby. No, it's not the usual menage à trois drama. It starts 
      as that, but develops into something reminiscent of the work of Alfred Hitchcock. 
      Maybe it won't be a Happy End for all the characters in this film, 
      but it's sure to be one for you. This is a tremendous film.
 |  | 
   
    |  |  | Joint 
                  Security Area (2000) This film will still be interesting thirty years from now. Joint Security 
      Area has tremendous historical resonance. It's one of those rare films 
      that manages to involve with realistic themes, intelligent social commentary 
      and touching drama. Song Kang-ho is superb, and this great work put director 
      Park Chan-wook on the map as one of Korea's best filmmakers. Koreans - North 
      and South - should be proud of this film.
 |  | 
   
    |  |   | Nowhere 
      To Hide (1999) One of the craziest, most entertaining Korean films of the nineties. Lee 
      Myung-sae satirizes genres, brings style to delightful excess, and draws 
      memorable performances from Ahn Sung-ki and Park Joong-hoon. One thing very 
      few people mention about the film is that it features many of the finest 
      supporting actors in Korea, including Park Sang-myun and Lee Won-jong. This 
      is also composer Jo Sung-woo's best work, mixing several genres together 
      and carrying the pace of the film. A perfect mix of comedy, interesting 
      characters, over-the-top action and a great soundtrack.
 |  | 
   
    |  |  | Sympathy for Mr. 
                    Vengeance (2002)Expectations were high, but Park Chan-wook's follow-up to Joint Security 
        Area is terrific. The terformances from Bae Doo-na, Shin Ha-kyun and 
        Song Kang-ho are top notch, and the film is visually memorable. You won't 
        find the quirky, touching friendship of JSA here. This film is 
        dark, gritty and uncompromising. But thanks to Park, it's as compelling 
        as his previous work.
 |  | 
   
    |  |  | Virgin Stripped 
      Bare By Her Bachelors (2000) Oh! Soo-jung. Is it a woman's name, the Korean word for crystal (and 
      fertility), or the original title of this film? Answer: all of the above. 
      Hong Sang-soo's masterful ability to recreate realistic relationships has 
      never been better. The film is irreverent, funny, touching and intelligent. 
      The director made relative newcomer Lee Eun-joo look like a diva, and she 
      helped him with a great performance. This is an astonishingly beautiful 
      film shot in black and white, and proof of Hong Sang-soo's amazing talent.
 |  | 
   
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 | top | 
   
    |  | The 
      Best of the Rest |  | 
   
    |  | So many great films, 
      so little space... |  | 
   
    |  |  
        
        Highest Possible Recommendation 
        
        
       |  | 
   
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    |  |  
        
        Recommended 
        
           
            | 2009 
              Lost Memories (2002) Address Unknown (2001)
 The Anarchists (2000)
 Asako in Ruby Shoes (2000)
 An Autumn Journey (1992)
 Bad Movie (1997)
 Beat (1997)
 Bedroom and Courtroom (1998)
 Besa me Mucho (2001)
 Bitter & Sweet (1995)
 Bong-ja (2000)
 Channel 69 (1996)
 The Contact (1997)
 Death Song (1991)
 Dinosaur Dooly (1996)
 Ditto (2000)
 Downfall (1997)
 Farewell, My Darling (1996)
 Fin De Siecle/End of Century (1999)
 First Love (1993)
 Fly High, Run Far (1991)
 Festival (1996)
 Friend (2001)
 The Gingko Bed (1996)
 Gagman (1989)
 Ghost in Love (1999)
 Girls' Night Out (1998)
 The Happenings (1998)
 Hoodlum Lessons (1996)
 How To Top My Wife (1994)
 The Humanist (2001)
 Interview (2000)
 Lies (1999)
 Les Insurges/The Uprising (1999)
 I Wish I Had a Wife 
              (2001)
 Just Do It (2000)
 Kazoku Cinema (1998)
 
 | Kick The Moon (2001)Kilimanjaro (2000)
 The Last Present (2001)
 The Legend of Gingko (2000)
 Love Bakery (2000)
 Love Story (1995)
 Love Wind, Love Song (1999)
 A Masterpiece in My Life (2000)
 Millions in My Account (1996)
 Motel Cactus (1997)
 My Beautiful Days (2002)
 My Boss My Hero (2001)
 My Love, My Bride (1990)
 My Own Breathing (2000)
 My Wife is a Gangster 
                (2001)
 There is No Sun (1998)
 Paradise Villa (2000)
 Phantom The Submarine (1999)
 Phone (2002)
 Pisces (2000)
 Plum Blossom (2000)
 Prison World Cup (2001)
 A Promise (1998)
 Rainbow Trout (1999)
 Raybang (2001)
 Real Fiction (2000)
 Say Yes (2001)
 Secret Tears (2000)
 Shiri (1999)
 Taekwondo (1998)
 The Taebaek Mountains (1994)
 Tears (2001)
 Tell Me Something (1999)
 Two Cops (1993)
 Wanee & Junah (2001)
 Whispering Corridors (1998)
 The Young Man (1994)
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