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                  |  | 1941 
                    Hong Kong on Fire |  |  |   
                  |  | Year: | 1994 |  |  |   
                  |  | Director: | Chin 
                    Man-Kei |  |  |   
                  |  | Producer: | Andrew 
                    Lau Wai-Keung |  |  |   
                  |  | Writer: | Chan 
              Hing-Kai |  |  |   
                  |  | Cast: | Chingmy Yau Suk-Ching, 
                    Veronica Yip Yuk-Hing, 
                    Tou Chung-Wah, 
                    Chan Kwok-Bong, 
                    Law Kar-Ying, Tsui 
                    Kam-Kong, Julie Lee Wah-Yuet |  |   
                  |  | The 
                    Skinny: | Semi-serious 
                    docu-drama detailing the occupation of Hong Kong in 1941. 
                    The darker moments can be compelling, but the family "drama" 
                    the film focuses on can be laughable and overly lurid. |  |   
                  |  | Review by Kozo:
 | This wannabe war drama is compelling 
                    at times, but what film about stuff like this isn't? Hong 
                    Kong 1941 details the Japanese occupation of HK in 1941 
                    and the effect it has on one family. Basically, a family (including 
                    sisters Chingmy Yau and Veronica Yip) is detained by the evil 
                    (and I mean evil) Japanese soldiers. Rape, murder, and assorted 
                    unpleasantness ensues, including much that proves difficult 
                    to watch. The concentration on Japanese atrocities can be 
                    harrowing and affecting, but the glossy exploitation-like 
                    atmosphere cheapens the drama. Also, the family story is directed 
                    horribly by Chin Man-Kei, who uses crappy comedy and wacky 
                    wide-angle lenses to "involve" his audience.
 has written some HK classics, but 
                    this film feels like a cheap attempt to make something meaningful. 
                    Most likely the budget was given thanks to the presence of 
                    stars like Veronica Yip and Chingmy Yau - and "commercial" 
                    concerns took over. The filmmakers went the "entertaining" 
                    route and added a bunch of stuff that never should have been 
                    included - and a lot of it is just plain tasteless and wrong. 
                    On the plus side, Chingmy Yau turns in a very strong performance, 
                    but her character feels anachronistic. This film might have 
                    had good intentions, but the direction seems to indicate otherwise. 
                    (Kozo 1996/1998)
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