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                    Inevitable sequel to the original Aces Go Places finds 
                    King Kong (Sam Hui) and Kodojak/Baldy/Albert (Karl Maka) in 
                    deep trouble when they get framed for multiple robberies. 
                    It all starts when Henry Kissinger (!) orders evil bad guy 
                    Black Glove to off our two heroes, who offed his brother White 
                    Glove in the last movie. 
                     Black Glove (AKA: Filthy Harry) is 
                      played by some unknown Caucasian who's a dead ringer for Clint Eastwood. He even wears the same stubble 
                      and costume that Eastwood wore in so many Sergio Leone flicks. 
                      Anyway, King Kong is initially framed by some babe who uses 
                      him to rob a bank. Meanwhile, Kodojak is having difficulties 
                      with fiancée Inspector Ho (Sylvia Chang). When he helps King 
                      Kong clear his name, they both end up the victims of said 
                      criminal babe and her brother (Yasuaki Kurata). 
                     How this relates to the plot with 
                      Black Glove is unknown, but somehow they tie it all together. 
                      Actually, they don’t - they simply barrel along through unexplained 
                      happenstance and wacky hijinks. Montages, overdone love triangles, 
                      and nonsensical stuff punctuate the proceedings. 
                    Yes, audiences 
                      probably laughed up a lung, but I found this one more trying 
                      than anything else. It retains some of the physical humor 
                      and chemistry of the original film, but more of the same just 
                      doesn’t cut it. Even worse, many of the jokes are language 
                      based, meaning you should prepare to be lost. Worth seeing 
                      for completists, but an Aces Go Places film festival 
                      isn’t in my immediate future plans. (Kozo 1998)  |