|  | Review: |      The 
        alumni of the Joel Silver Actors Troupe reunite for the stunning fourth 
        chapter in their highly popular kung fu rapper series: White and Wong 
        Detective Agency! In a city where crime is king and police corruption 
        knows no bounds - two private investigators decide to partner up, mixing 
        good ol' fashioned American ingenuity with the exotic mysticism of Chinese 
        martial arts to mete out their own brand of multicultural street justice! 
        Jet Li plays Raymond Wong, a down on his 
        luck private eye in New York's Chinatown, who must struggle with the fact 
        that he only has about ten lines of English dialogue in the entire picture. 
        While on a big case, Wong meets Jack White (Tom Arnold), a vulgar, bullheaded 
        private dick who doesn't understand the lack of clientele at his Harlem-based 
        office. It seems that White and Wong are both after the elusive Macau 
        Monkey, an ebony colored statuette that may be more than it seems (Spoiler 
        alert! It's an inter-dimensional teleportation device!). The two form 
        an uneasy alliance, butting heads at first, all the while flinging hateful 
        racist epithets at each other. But unexpectedly, they soon put their differences 
        aside to find the statuette and return it to their mutual client, Madame 
        Ho (Kelly Hu).
 Working solely on vague hunches and insupportable 
        gut feelings, the unlikely duo track the Macau Monkey to the gangster 
        hideout of the seemingly irredeemable Mr. Big (DMX), a drug-running, loan-sharking, 
        millionaire pimp. Though Mr. Big is an out-and-out killer, wasting six 
        civilians with his AK-47 at one point, I say "kudos" to the 
        filmmakers for peeling back the layers to this highly complicated man. 
        What the police and innocent civilians don't know is that Mr. Big is actually 
        an environmentally concerned single father of three adopted Korean kids 
        - Dee, Emma, and Ecks. Being the noted thespian that he is, DMX turns 
        in a performance that has Oscar written all over it as he reveals in this 
        tearful sequence that not only has the statue been stolen from him, but 
        so has his darling "baby-girl" Emma. Apparently a couple of 
        small-time gay crooks known as Black and Decker (played by Ja Rule and 
        Anthony Anderson) have swiped the Macau Monkey and kidnapped Big's child. 
        The duo hopes to pawn the idol so they can flee to Buenos Aires and re-ignite 
        their now-faltering relationship. Little Emma could be the key, as the 
        two men hope to raise her as their own.
 Before White and Wong leave, Mr. Big sends 
        his sister Boo (Ashanti) to accompany the boys on their mission of vengeance. 
        But when White, Wong, and Boo track down Black and Decker in the their 
        apartment, they are surprised to find that little Emma has turned the 
        tables on her kidnappers in a hilarious kung fu send-up of O. Henry's 
        "Ransom of Red Chief"! Though only eight years old, Emma naturally 
        has card-carrying membership in the Shaolin temple. It doesn't matter 
        that she's Korean, the fact remains that she's Asian, so defeating the 
        mismatched lovers with her "Drunk Monkey in the Tiger's Eye" 
        stance was only second nature for her. The beaten and bruised Black and 
        Decker tell White and Wong that a mysterious "Ponytailed Man" 
        (Steven Seagal) has stolen the idol from them, too. White tells Wong that 
        he has a feeling that the man fled to Tibet, but Wong overrules him by 
        showing a faded "boarding pass" written on a napkin that the 
        villain conveniently dropped as he left the apartment. The napkin says 
        "Italy."
 And so, the hapless heroes head to Italy 
        for the final showdown. Accustomed to these kinds of death duels, Wong 
        decides to visit the Roman Coliseum. Lo and behold, the pony-tailed villain 
        known only as "Bubbles" is waiting for him, monkey idol in hand. 
        Both itching for a fight, the cross-cultural combatants face off in a 
        scene that is vaguely reminiscent of Bruce Lee's climactic battle with 
        Chuck Norris in Way of the Dragon. But unlike that crummy old movie, 
        this film ups the stakes considerably! Not only is it raining, not only 
        are the two fighters surrounded by a ring of fire, but this time there 
        are also actual lions for them to fight with! Yowza! With the assistance 
        of wirework, Steven Seagal soars above Li executing some gravity-defying 
        kicks and aikido moves, all the while trying to hide his sadly visible 
        paunch. In a novel move, Seagal whips Li with his ponytail, which has 
        a razor attached to the end! I think that's an oblique reference to some 
        other Jet Li movie, but I'm not really sure. To be honest, I don't really 
        like Hong Kong films. And hey, if you thought Mark Dacascos's and Tcheky 
        Karyo's deaths in Cradle 2 the Grave and Kiss of the Dragon 
        were gruesome, wait 'till you see Steven Seagal get torn in half by the 
        man-eating lions! Hakuna matata beeyotch!
 And best of all, I think the director handled 
        the film's resolution with a lot of class. Sure, Jet Li's character does 
        the majority of the work, most of the investigating, and all of the fighting 
        in the film while Tom Arnold's character simply makes smart-ass remarks 
        and gets kidnapped a lot, but thankfully, the filmmakers chose not to 
        have Jet Li end up with the girl at the conclusion of the movie. It was 
        a wise decision because Western audiences would find it hard to accept 
        that a good-looking, competent Asian man like Jet Li could land an American 
        hottie like Ashanti. But I'm glad they let Tom Arnold hook up with Kelly 
        Hu, since we all know loudmouthed, overweight white guys really can win 
        over gorgeous Asian women.
 So, what's the verdict? This movie's got a plea 
        for multicultural understanding, a realistic examination of gay life, 
        a dope hip-hop soundtrack that is off the hook, and some gravity-defying 
        kung fu to boot. What more could a viewer ask for? White and Wong Detective 
        Agency: righting wrongs in a theater near you! (Sanjuro 2003)
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