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Note: This blog expresses only the opinions of the blog owner,
and does not represent the opinion of any organization or blog
that is associated with The Golden Rock.

The Golden Rock - June 18th, 2009 Edition

And here comes another attempt at a news post.

- The Japanese box office numbers are out. Turns out Box Office Mojo didn’t include the officially announced version of the Terminator 4 opening numbers. Instead, Rookie’s amazing third week take of roughly 815 million yen kept it in first place and bumped Terminator to 2nd place instead. Eiga Consultant also reports that Terminator’s opening weekend is only 53% of Terminator 3’s opening in Japan. However, there’s also the 400 million yen it made with sneak previews, which begs the question whether this Terminator’s opening would’ve been stronger had there been no sneak previews the week before?

Also worth noting is the amazing limited opening of Tsurugidake, the mountain climbing film that marks the directorial debut of veteran cinematographer Daisaku Kimura. On three screens in the Toyama area, the film attracted 14,275 people for a total of 15.25 million yen take. That’s a per-screen average of 5.08 million yen, which is almost unheard of anywhere in the world.

- Under “Japanese music news” today, Girl Next Door’s latest single hits first place, while GReeeeN’s third album finds the biggest album debut of the year on the charts, and they managed to do so without any public appearance whatsoever.

More over at Tokyograph

Even though Exile is now the best-selling Japanese pop unit in the first half year for the second year in a row, Mr. Children and Arashi actually have the best-selling album and single, respectively.

- The projects market at the Shanghai International Film Festival has wrapped up, with a Chinese and a Korean project taking the two top prizes.

- Japanese lawmakers have taken another step to stop illegal downloading by revising copyright laws to make downloading pirated material a punishable crime starting January 1st. So downloaders in Japan - it’s time to download to your heart’s content for the rest of the year….then not encounter any type of punishment at all for breaking the law.

- Untold Scandal director E J-Yong has put together a large female ensemble cast for his latest film, about six actresses who meet at a photo shoot. The actresses will be acting under their real names, though maybe not as themselves.

- After helping NHK to a ratings victory with the period drama Atsuhime, writer Kumiko Tabuchi will be writing the public broadcaster’s 2011 yearly period drama. Like Atsuhime, its central character will be female, but no casting decision will be made until next year.

-Last year, it was the Olympics. This year, with the 60th anniversary of the People’s Republic of China, there are not a lot of Chinese films coming out in the summer. Guess who’s there to fill the void? American alien robots and pretty boy vampires.

- Speaking of Westerners in Hollywood, Trainspotting and Slumdog Millionaire director Danny Boyle is in Shanghai as the head of the Shanghai International Film Festival jury, which he admits he’s doing as a sign of appreciation to China for allowing Slumdog to be released in the country.

- Also in film festival news: Just as the Japanese tearjerker April Bride was confirmed to play at the Puchon International Fantastic Film Festival, the festival has also announced that it will open with M.W., the adaptation of the Osamu Tezuka comic.

- After SMAP member Tsuyoshi Kusanagi was pulled as the spokesman for the government’s digital broadcast conversion campaign, fellow member Shingo Katori will be appearing on police promotional posters, thanks to his latest drama leading role.

- Twitch has a full-length trailer for the big-budget Korean disaster film Haeundae, and it just looks like a Michael Bay film with the trailer emphasizing all the comedic bits. But is it really looking like a comedy? Not really.

- Lastly, Variety’s Justin Chang has a review for the documentary Beetle Queen Conquers Tokyo, about the role of insects in Japanese culture.

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