Before this blogger gets into the Korean film blogathon and talking more about China, I want to get into detailing one of the greatest experiences in LoveHKFilm’s history. Yes, we went to see an Ekin Cheng concert.
No, I don’t get the Russian influence, either.
Boss Kozo hass already seen the last Ekin concert, but this marks the first time half the LoveHKFilm writers (yes, all two of us) went out and saw the unofficial ambassador of LoveHKFilm.com, making this THE LoveHKFilm.com event of the year so far.
Besides, we couldn’t get tickets to the Faye Wong concert.
Of course, beyond the LHKF context, I have my own reasons for going. Growing up in the United States during Ekin’s popularity peak, I was exposed to my Chinese-American classmates worship the YOUNG AND DANGEROUS series and its star, Dior/Ekin/Noodle Cheng. I literally spent my teenage-hood listening to his music, both voluntarily and involuntarily. It didn’t (and still doesn’t) matter whether Ekin has any real musical talent - they will always be a big part of my life’s soundtrack.
Because of his history as an actor, at least half the setlist comprised of movie songs like those from YOUNG AND DANGEROUS, LEGEND OF SPEED, STORM RIDERS, FEEL 100%, and of course, A MAN CALLED HERO. The other half consisted of songs from pop singer Ekin, which surprised me quite a bit because I didn’t know 1) He had that many songs to share, and 2) I would know so much of them.
Of course, a certain webmaster wasn’t so familiar, and had to kill time some other way:
And he STILL had to use the Mighty Eagle.
So, to see Ekin live and perform those songs again was most definitely a rewarding experience. Yes, he missed lyrics, he missed notes, and the tree on the stage was weird, but that doesn’t mean I didn’t have fun.
And now, some more cool pictures:
“Let me gather my chi and aim at that Kozo guy…”
Musical guest Pakho Chow (SPLIT SECOND MURDERS) and Noodle.
Ekin Cheng for President!
“Holy crap, Kozo still write movie reviews?!”
And ladies and gentlemen, I save the best for last. I give you THE best Ekin Cheng expression EVER:
- Today on the front of Oriental Daily’s entertainment page is a story about two filmmakers trying to get the Hegemon-King of Western Chu story made at the same time. On one hand is CITY OF LIFE AND DEATH director Lu Chuan’s version, starring Daniel Wu, Liu Ye, and Chang Chen. The word of Apple Daily is that Lu quit/was removed from the project after he disagreed with his production company about the film. Lu then found other investors and resurrected the project, leaving his previous production company very mad.
So, Lu’s first production company then hired director Daniel Lee (of DRAGON SQUAD and THREE KINGDOMS), got a cast that’s rumored of Louis Koo, Fan Bing Bing, Huang Xiaoming, and Andy Lau. Lee said in an interview that the film hasn’t confirmed its cast yet, but will be ready to shoot in March.
I know Daniel Lee has the bigger cast and all, but my money’s still on Lu Chuan.
Story from Apple Daily, in Chinese, for access from Hong Kong only. Also take Apple Daily news with a grain of salt.
- Hollywood studio Warner Bros. is finding a new way to penetrate the Chinese market - internet video on demand. The studio signed a deal with video site Youku to let Chinese users watch the film for a few yuan. Compared to the already low price of a DVD, there’s no excuse for Chinese netizens to illegally download the movie other than….well, who knows?
- For those that didn’t like Derek Yee’s TRIPLE TAP, the co-writer/director explains that even he can’t believe that the film is his. “This is just a commercial film. I hope the audience can easily understand it”. Now it makes sense, except the problem with the film is that IT’S TOO FLAT.
- We here at Lovehkfilm loves the BAYSIDE SHAKEDOWN franchise, and its third installment opened this past weekend in Japan, and star Yuji Oda has promised that if the film makes over 10 billion yen, he’ll work hard towards doing a 4th film.
- K-pop fans: Artists of the major talent agency SM Entertainment such as Girls’ Generation, Super Junior, and BoA will be going on a world tour. Oh, and TVXQ will be there, too……………………….just kidding, they’re not done suing yet.
- Last, but definitely not least, Korean actor Park Yong-Ha, known for his roles in WINTER SONATA and the film THE SCAM (which I reviewed) has passed away in an apparent suicide. The media has been covering which big stars are grieving for him, but I don’t think I need to join that party to say that the actor will certainly be missed.
- As always, we’ll start with some number crunching. This time, it’s the Japanese Summer 2009 drama ratings. The Fuji Monday night 9pm drama Buzzer Beat premiered with a dismal 15.5% rating, which is reportedly the second-worst premiere rating ever for that time slot. Even last season’s disaster Kankatsu! premiered with a 16.3% rating. Nevertheless, it didn’t lose too much audience in its second week, and its season average is already better than Kankatsu! over the same period.
Not so good news for SMAP’s Tsuyoshi Kusanagi’s drama Ninkyo Helper, which dropped to a 13.8% rating for its second week after the excellent 17.5% premiere rating. Will this be the second consecutive season with a SMAP flop?
Kareinaru Spy, the new drama from Bayside Shakedown creator Ryoichi Kimizuka starring Tokio front man Tomoya Nagase and Kyoko Fukuda, premiered with an OK 15.6% rating. However, not sure if its tongue-in-cheek style will keep the audiences around. Meanwhile, Call Center no Koibito dropped to a depressing 5.6% in its third week, while Kanryotachi no Natsu rose slightly back up with a 10.6% rating.
Also playing on Tuesday nights are the “special episodes” of Emergency Room 24 Hours while leading man Yosuke Eguchi recovers from his motorcycle accident injuries. The first episode last week got a 13.1% rating, and this week’s episode got a 15% rating. With the anticipation from the delay, this might beat out everything else to become this summer’s ratings champion. Why didn’t Fuji put it into the Monday 9pm slot, like it did with series 3 back in 2005?
In other drama news, hit detective drama Aibou will be coming back for an 8th season, despite the departure of co-leading man Yasufumi Terawaki during the 7th season. Then again, with the 7th season getting its best ratings ever, it’s a no-brainer for TV Asahi.
- And more ratings news coming out of Hong Kong. The two major free-to-air channels launched their new talent shows - The Voice for TVB and HK Edition of Taiwanese hit A Million Stars on ATV - on the same night, and while the 26 points rating for TVB is disappointing consider how well the Sandra Ng talk show did before in that time slot, ATV is ecstatic about its 8 points rating, because it’s double the viewers they usually get for that slot.
Meanwhile, The Voice is also coming under criticism by viewers for plagiarizing A Million Stars, but that’s just gossip, so I won’t go any further.
- As for the Japanese Oricon music charts, the ridiculously-named Johnny’s group NYC Boys/Yuma Nakayama (I’m pretty sure none of them are from New York City) scored their first #1 single. They also broke the record for the youngest group with a #1 single, since the average age of the group is 14.6 years old. Meanwhile, the group Tegomass saw their debut album go #1.
- No numbers yet, but a box office blog from Japan reports that Harry Potter has already made 2.2 billion yen (roughly US$22 million) over the Wednesday-Monday period from 860 (!) screens, Pokemon made over 672 million yen over its first two days on 366 screens, and Fuji TV’s Amalfi made a respectable 377 million yen from 357 screens over its first two days.
- Turning Point, the spin-off/prequel from the TVB drama E.U. directed by Herman Yau that marks the first collaboration between the TV conglomerate and Shaw Brothers, now has a trailer on the official site. You’ll need Quicktime to watch it.
I didn’t watch the drama, but what I know is that the film is based on the character Laughing, played by Young and Dangerous veteran Michael Tse, a gang member who is revealed to be an undercover cop. His character, only a supporting one, was so popular that the facebook group named after the character soared to 150,000 members after his character’s death on the show.
The film opens on August 13th, and I guess I’ll still go watch it.
Note: An informant from inside TVB told me that when the poster design guys were designing the poster for the film, they had the Infernal Affairs poster opened on the computer for “reference”. Go figure.
- Meanwhile, the Hong Kong Film blog reports that Herman Yau is already working on a new film, which may be a dark comedy based on its Chinese name, a wordplay off the Chinese title of the horror series Final Destination. The cast includes pop stars Kay Tse, Stephanie Chang, Fama, Andy Hui, and even MC Jin.
The three Chinese films that were supposed to be at the Melbourne Film Festival have all pulled out - producer Chow Keung pulled Jia Zhangke’s short film Cry Me a River and his wife’s film Perfect Life from the festival in objection to the presence of exiled Uighur leader Rebiya Kadeer and the festival’s decision to premiere the documentary 10 Conditions of Love, about Kadeer, despite demands from the Chinese consular to pull it. Also, the documentary Petition was also withdrawn, possibly to not add fuel to the fire.
Twitch also has new footage of Imagi Studio’s Astro Boy that was shown on a Japanese morning news show. However, the host failed to mention that even though it was financed by an American studio, Imagi Studios is based in Hong Kong.
-Under “what’s next for that director?” news today, Japanese director Mamoru Oshii will be taking his short films Assault Girls, which he put in two omnibus films, and giving them the feature-length treatment. The Assault Girls in both short films, including Rinko Kikuchi, will return for the feature film.
- On the Japanese Oricon charts, Arashi takes the top single again, giving them the best three single debuts in 2009 so far. Masaharu “Galileo” Fukuyama’s latest album debuts on top with 200,000+ copies sold. Also, Studio Ghibli’s Ponyo on a Cliff DVD sold about 500,000 copies in its first week. That reminds me to buy Howl’s Moving Castle.
- After John Woo announced that he’ll co-direct a martial arts movie, he’s also announced that he’ll be working on a film about The Flying Tigers, a group of American flyers who trained the Chinese, because they finally got the Chinese government in on it. My favorite quote is producer Terance Chang commenting about the rumored $160 million budget.
After the 3rd installment’s super Tokyo earthquake, I wonder what producers will come up with to top themselves, especially without the writers of the first three series on board.
- Hong Kong movie channel Star Movies has unveiled their latest acquisitions, including blockbusters Cape No. 7, Connected, and If You Are the One. The Way We Are has already premiered. But note that like all HK subscribers-based movie channels, objectionable content like nudity and foul language are edited, so approach subscribing to them with caution.
- Mark Schilling has a review of Yuichi Sato’s Shugo Tenshifor the Japan Times. Sato last made the acclaimed comedy Kirasagi, except it’s damn near impossible to get ahold of it with English subtitles. Time to make a trip to Shenzhen?
- Another trailer this week caught my attention, thanks to Nippon Cinema. It’s the trailer for Nanyoku Ryorinin, based on two autobiographical novels about a chef at a Japanese research station in the South Pole. Looks like Naoko Ogigami’s The Seagull Diner in the South Pole? Then again, there’s that damn evil Masato Sakai smirk, even though he’s playing a nice guy.
- The Japanese box office numbers are out. Turns out Box Office Mojo didn’t include the officially announced version of the Terminator 4 opening numbers. Instead, Rookie’s amazing third week take of roughly 815 million yen kept it in first place and bumped Terminator to 2nd place instead. Eiga Consultant also reports that Terminator’s opening weekend is only 53% of Terminator 3’s opening in Japan. However, there’s also the 400 million yen it made with sneak previews, which begs the question whether this Terminator’s opening would’ve been stronger had there been no sneak previews the week before?
Also worth noting is the amazing limited opening of Tsurugidake, the mountain climbing film that marks the directorial debut of veteran cinematographer Daisaku Kimura. On three screens in the Toyama area, the film attracted 14,275 people for a total of 15.25 million yen take. That’s a per-screen average of 5.08 million yen, which is almost unheard of anywhere in the world.
- Under “Japanese music news” today, Girl Next Door’s latest single hits first place, while GReeeeN’s third album finds the biggest album debut of the year on the charts, and they managed to do so without any public appearance whatsoever.
- Japanese lawmakers have taken another step to stop illegal downloading by revising copyright laws to make downloading pirated material a punishable crime starting January 1st. So downloaders in Japan - it’s time to download to your heart’s content for the rest of the year….then not encounter any type of punishment at all for breaking the law.
-Last year, it was the Olympics. This year, with the 60th anniversary of the People’s Republic of China, there are not a lot of Chinese films coming out in the summer. Guess who’s there to fill the void? American alien robots and pretty boy vampires.
- Japan numbers are out on Box Office Mojo. Apparently, The Curious Case of Benjamin Button only lost 11.6% of previous week’s business to take the top spot away from 20th Century Boys. However, the latter isn’t stopping too quick, losing only 28.5% of previous week’s business at just past 2 billion yen. However, at this pace, it’s slightly behind part 1, which means it’s not likely to get past that 3.5 billion yen mark. Meanwhile, High School Musical lost a surprising 46.8% of business in its second weekend, making it a bona-fide disappointment for Disney.
Meanwhile, Three Kingdoms: Resurrection of the Dragon opened in Japan this past weekend. From a limited release of 8 screens, the Daniel Lee film made 5.08 million yen over 2 days. It doesn’t sound very strong, but according to Mr. Texas of Eiga Consultant blog, its Tokyo screen attracted 1359 admissions (out of a possible 1608 for its 8 shows in a 201-seat auditorium) and made 1.66 million yen, with packed shows on Saturday opening day.
- In Korea, Benjamin Button took the top spot, as expected. Meanwhile, the movie that’s making the big news is the documentary Old Partner, about an injured farmer and his ox. Started as a small indie release, it has blown up to a 200+ screen release and more than 700,000 admissions already.
- In Chinese box office, Transporter 3 is off to a very good start, making just over 30 million yuan on opening weekend. Look For a Star is now at 89 million, and will likely pass that 100 million yuan mark. Joe Ma’s Give Love, despite being distinctly a recepient of the new Hong Kong government film fund, opened in China first and made roughly 9.5 million yuan. Cape No. 7, which finally saw its China release for Valentine’s Day, could only muster a 5th place opening of about 9 million yuan. This may be because many of its target youth audience has already downloaded the film and have no reason to go the theaters for it.
- On the Japanese Oricon charts, KAT-TUN gets their 9th consecutive number 1 single on the singles chart, while Thelma Aoyama gets her first number 1 album with her latest compilation, although I don’t know someone with just one full-length album can already have a compilation album.
- Coming off the moderate success of See You in Youtube, the directorial team of Seven’s (which include producer Oxide Pang, Cub Chien, and six other young directors) are back together for a school-themed film with young stars such as G.E.M., William Chan, and Siu Fey. Yikes.
- In Thailand, the cabinet has passed the controversial film ratings system, and it’s set to be in place in May. It was meant to allow greater freedoms for filmmakers, but the sketchy wording of the system and the structure of the regulatory party have found more disapproval among Thai filmmakers instead.
- This week’s Televiews column on Daily Yomiuri suggests five ways Japanese terrestrial television stations can do to save themselves. I agree with some, but I don’t agree with the others, especially that idea about a Japanese Daily Show.