LOVEHKFILM.COM
- reviews - features - people - panasia - blogs - about site - contact - links - forum -
 
 
Search LoveHKFilm.com
Site Features
- Asian Film Awards
- Site Recommendations

- Reader Poll Results

- The FAQ Page
 
support this site by shopping at
Click to visit YesAsia.com
 
 
 
 
 
We do news right, not fast

Note: This blog expresses only the opinions of the blog owner,
and does not represent the opinion of any organization or blog
that is associated with The Golden Rock.

Archive for the ‘taiwan’ Category

The Golden Rock - 2012 Golden Horse Awards Live Blog Edition

This is it! Today is November 24th, 2012, and it’s the day of the 2012 Golden Horse Awards. In the household of the Golden Rock (population: 1), we celebrate the best and brightest of films from the Greater China Region (that were submitted) with snark and live-blogging!

So without further ado, read below all that happened at this year’s Golden Horse Awards:

10:58pm: And 4 hours later, we’re done with our Golden Horse Awards coverage. Thanks to everyone on Twitter, Facebook, and those who read the last 4 hours. Our next live blog will be in April with the Hong Kong Film Awards, and we’ll of course be back to cover the 50th Golden Horse Awards next year, too. See ya!

10:56pm: So the final count: BEIJING BLUES and LIFE WITHOUT PRINCIPLE tied at 3. Mainland China cinema is the ultimate winner of the night with most wins.

10:55pm: Wow, that was a major, major surprise. BEIJING BLUES take home Best Picture without winning Best Screenplay, Best Director, or any of the acting awards.

10:54pm: Finally, here we go. Oh, god, the clip for BULLET VANISHES is a major spoiler

The winner of Best Feature Film is……BEIJING BLUES!!!!!!!! WHAT??!?!?!?!?!?!

10:49pm: Waste of time banter happening. Please stand by.

10:47pm: Seen on Weibo: Leon Dai writes brief Weibo post called “Ten Years”. No names on it, of course.

10:46pm: Now, Andy Lau on stage to present the Best Picture award. I predicted GF*BF to take the top prize, but it’s all up in the air now.

Andy Lau is the Chairman of this year’s Golden Horse Award jury.

10:44pm: Huang Bo: “I always look up to Uncle Andy when I was growing up…….then people told me that Andy Lau would be perfect as my younger brother.”

10:43pm: Bowie Tsang explaining why she was so emotional about Lau Ching-Wan winning the Golden Horse Awards: He’s never won a Golden Horse before, and she was also present the only time he won a Hong Kong Film Award.

10:40pm: Next up is the final award, Best Film.

Current count: LIFE WITHOUT PRINCIPLE at 3 awards, MYSTERY at 2, and BEIJING BLUES at 2

10:36pm: “I don’t make movies for awards….I’m just kidding, of course I want awards.”—Lau Ching-Wan

10:34pm: And the winner for Best Actor is…………….Lau Ching-Wan for LIFE WITHOUT PRINCIPLE!!!! This is his first Golden Horse Best Actor win.

10:32pm: I don’t understand what Deanie Ip is saying. Seriously.

10:30pm: Deanie Ip now on stage to present the Best Actor Award. I’m rooting for Lau Ching Wan, but feel a bit sorry for Taiwan now, so a Joseph Chang win would be a nice moment.

10:29pm: Huang Bo mentions that Joseph Chang must be feeling a lot of pressure. His win would give Taiwan a great morale boost.

10:27pm: The two hosts now discuss the Best Actors nominees. Nick Cheung shared his Best Actor Award with Huang Bo when he won.

10:20pm: Sadly, Gooey does NOT thank Leon Dai in her acceptance speech.

10:17pm: And the winner for Best Actress is………………….Guei Lun-Mei for GF*BF!!!!! Taiwan finally nabs a big award!

10:14pm: Li Bingbing and some guy named Jackie Chan on stage to present the Best Actress award. Jackie Chan attempts to speak Taiwanese and fails miserably…and I don’t even speak Taiwanese!

Jackie Chan says he was asked to drag out his time on stage. Threatened to start singing.

I predicted Sandrine Pinna for the win, but this is a really tough one.

10:13pm: “Maybe you should win the Best Actress Award” — Hao Lei to Huang Bo.

10:10pm: I prefer Bai Baihe in LOVE IS NOT BLIND to Bai Baihe in real life.

10:08pm: Huang Bo and Bowie Tsang go into the audience to interview the Best Actress nominees.

10:03pm: Still no clear frontrunner tonight, as BEIJING BLUES, LIFE WITHOUT PRINCIPLE, and MYSTERY each has two awards.

10:02pm: To winning Best Director paving the path for LIFE WITHOUT PRINCIPLE to pick up Best Film, but remember all paths were leading to A SIMPLE LIFE last year when SEEDIQ BALE won.

10:01pm: And now, it’s the one commercial break per major award phase of the night.

9:59pm: And the winner for Best Director is………………..Johnnie To for LIFE WITHOUT PRINCIPLE!

Lau Ching-Wan goes up to the stage and says: “I am not Johnnie To”.

9:57pm: Of course. Huang Bo and Lin Chiling take the chance to promote SAY YES, their upcoming Valentine’s Day movie.

9:56pm: Give Lin Chiling the award for Best Script Reader tonight.

9:54pm: Lin Chiling now on stage to present the Best Director Award. As I typed earlier, was expecting a Taiwanese director to get it, but now leaning towards Johnnie To or Gao Qunshu.

Lin Chiling is so thin that she looks like she’s tied up in bondage.

9:52pm: Time for some witty banter before the Best Director Award. OK, guys, let’s get to it, we’re getting into the 4th hour……….

9;50pm: Also forgot to mention that Taiwan has yet to figure out how to send out HD signal abroad: Star Movies Chinese HD channel’s broadcast is in 4:3 aspect ratio.

9:48pm: Had expected Gilles Yang or Doze Niu to have pretty good chance at Best Director tonight, but now leaning towards Gao Qunshu or Johnnie To. What happened, Taiwan??!!!!!

9:47pm: Camera captures Doze Niu taking photo of LOVE theme song being performed onstage with his iPhone. Oh, he’s one of THOSE people…..

9:45pm: OK, I get it. A classic theme song from a film by each of the Best Director nominee. Try explaining that idea at the pitching meeting.

9:44pm: Someone please tell Sammi on Weibo that they’re singing another one of her songs. Since, you know, she’s clearly not paying attention.

9:43pm: Um, didn’t we already get a movie theme song medley already? Not that I’m not liking this one better…….

9:42pm: But before the major awards, we get another musical performance by Outstanding Taiwanese Filmmaker award winner Huang Yu-Siang and singer Lala Xu.

Did I say that Huang Yu-Siang is a really good pianist?

9:40pm: This commercial break is feeling extra long…..

9:34pm: Good, humble speech by Mr. Shih. Up next to present is Lin Chiling, after the commercial break.

Looks like we’re coming into home stretch, as the four major awards are the only ones left.

9:27pm: Shih Chun was discovered by King Hu. In addition to being one of the best-known wuxia stars (including in King Hu films), he will also be in Hou Hsiao Hsien’s upcoming wuxia film THE ASSASSIN

Shih now works in preservation and promotion of King Hu’s works.

9:26pm: Hou Hsiao-Hsien now on stage to present the Lifetime Achievement Award to Shih Chun.

9:24pm: Just seen on Weibo: Sammi Cheng found out her ROMANCING IN THIN AIR song’s Golden Horse win on Weibo.

9:20pm: I didn’t make a prediction for this award. Guessing Taiwan doesn’t have to worry about this award, either.

The winner for Outstanding Taiwanese Filmmaker of the Year is…………Huang Yu-Siang! The blind star and composer of TOUCH OF THE LIGHT!

9:19pm: Wang Wei-Liu, last year’s Outstanding Taiwanese Filmmaker of the Year, now on stage to present this year’s Outstanding Taiwanese Filmmaker award.

Wang clearly nervous as he makes his way through his speech.

9:16pm: Already known: GF*BF wins the Golden Horse Audience Award.

9:14pm: This year’s jury Chairman is Andy Lau, which is why he’s sitting front and center at the ceremony.

9:12pm. Whew, getting a few minutes’ break, finally.

9:10pm: Wang Wei-Liu up after the commercial break. I’m guessing it’s time for the Lifetime Achievement Award

9:08pm: Szeto Kam-Yuen and Lo Wei-Kuen both got mentions, so I guess it’s not just Taiwanese………

9:05pm: Now, the In Memoriam sequence, remembering Taiwanese film figures who left us this past year.

9:03pm: And now, a montage about the success of Taiwanese films…….on the night when Taiwanese films are losing to Mainland Chinese films. Whoops.

9:02pm: TOUCH OF THE LIGHT is produced by Wong Kar-Wai’s Jet Tone Films, which is why Chang thanks Wong Kar Wai.

9:00pm: And the winner of Best Director is……….Chang Jung-Chi for TOUCH OF THE LIGHT!

8:58pm: Now it’s time for Best New Director, presented by Wei Te-Sheng…..and sorry, I don’t know who the other one is….total fail.

Also, Taiwan doesn’t have to worry about this category: All 5 nominees are Taiwanese.

I predicted Chang Jung-Chi or Fung Kai to win for TOUCH OF THE LIGHT or DIN TAO

8:55pm: Angelababy was wondering which of her two nominated films would win Best Action Choreography. Neither did.

Bowie Tsang: “I think this is the time to say…’TAIWAN FILMS JIA YOU!’” Someone’s getting nervous….

8:54pm: Chin Ka Lok having a really good week: Marriage, baby on the way, and now, a Golden Horse Award!

8:53pm: Time for Best Action Choreography. I predicted JUDGE ARCHER or TAI CHI

The winner for Best Action Choreography is………….MOTORWAY!!!!!!!

8:51pm: Also forgotten: One of the three winners for DRAGON GATE is Korean, so I can’t translated his speech. The American guy: “This place is wonderful. The food, wow!” I think that was a euphemism.

This is like a bad joke: A Korean, a Hong Konger, and an American step onto an award stage……….

8:50pm: And the winner for Best Visual Effects is………FLYING SWORDS OF DRAGON GATE. Oh, I forgot the 3D thing.

8:49pm; Stephen Fung and Angelababy now on stage to present Visual Effects and Best Action Design.

I predicted Best Visual effects would go to PAINTED SKIN.

8:46pm: Four Hong Kong winners so far tonight. Is LIFE WITHOUT PRINCIPLE heading to major winning night after Best Screenplay win?

8:43pm: Next up after commercial: Stephen Fung and Angelababy present.

8:42pm: And the winner of Best Original Song is…………DoReMi from ROMANCING IN THIN AIR. Lo Dayu’s first Golden Horse Award.

8:41pm: Now, Ronald and Richie present Best Original Song. I guess the other two nominated songs will not be performed, then. I predicted Sammi Cheng’s DOREMI for ROMANCING IN THIN AIR.

8:39pm: They are first presenting Best Original Film Score. I predicted LOVE, but I’m not really rooting for any film in particular.

And the winner of Best Original Score is…………..MYSTERY

8;37pm: Now that’s over, Ronald Cheng and Richie Ren come on stage to present.

Ronald: “Why are you always playing cops and heroes, while I play a man in drag, a man in drag, and a man in drag?”

8:36pm: Oh no, Sally Yeh is going to try and pretend to be dancing. I need some more yakitori.

8:34pm: Camera gets half a second of Jackie Chan singing along, then quickly cuts back to Andy Lau. Hmmmmmmmmm…………

8:33pm: Quick check of Weibo says Taiwan cinema is in a bit of danger this year, as Mainland films take up the awards.

8:30pm: Camera gets a shot of Andy Lau singing along. Hmmmmmm……

8:27pm: Time for another musical performance. A medley of classic film theme songs performed by Sally Yeh. This means only one thing: Yakitori break!

8:25pm: No win for GF*BF so far, which does not bode well for its Best Picture chances. But remember, SEEDIQ BALE went through similar process last year.

8:21pm. Time for Best Original Screenplay. I predicted GF*BF or CHA CHA FOR TWINS.

The winner of Best Original Screenplay is…………….LIFE WITHOUT PRINCIPLE! Third Hong Kong win of the night!

Denise Ho accepts the award on behalf of the winners.

8:20pm: LOVE IS NOT BLIND writer wrote her book after an argument with her boyfriend.

8:19pm: The writer of LOVE IS NOT BLIND is absolutely effing ADORABLE

8:17pm: And the winner for Best Adapted Screenplay is…….LOVE IS NOT BLIND! I got another one right!

8:15pm: Bad mic disaster just as Alec Su begins to speak. Awkward moment no. 4 of the night. The two then recite their favorite dialogue of the year……but no one seems to be recognizing them.

Sonia Sui and Alec Su are presenting Best Adapted Screenplay. I predicted LOVE IS NOT BLIND

8:14pm: A few of the ones I wanted to win have been winning, but my “should win”’s have been way off tonight. Expected advantage for Taiwan not happening this year.

8:13pm: Next up as presenters: Sonia Sui and Alec Su.

8:11pm: Liang Jing thanks DESIGN OF DEATH co-star Huang Bo for the fake set of teeth she wears in the film.

That’s two wins for DESIGN OF DEATH and two wins for BEIJING BLUES.

8:09pm: And the winner for Best Supporting Actress is………….Liang Jing for DESIGN FOR DEATH!

Liang Jing is director Guan Hu’s wife. Kitty Zhang is Wang Quan’an’s wife. Xu Fan is Feng Xiaogang’s wife. Hey, see a pattern?

8:08pm: Chou and Gooey remain to present Best Supporting Actress. Gooey: “Jay…you’re not nominated this year for it”. Jay follows with a shout-out to Nicholas Tse, who IS nominated for Best Actor.

I predicted one of the LOVE actresses.

8:06pm: Um, pretty clear that the director of CHINA HEAVYWEIGHT doesn’t really speak Mandarin. Congrats anyway, dude.

8:05pm: CHINA HEAVYWEIGHT marks another win for documentary distributor CNEX.

8:04pm: And the winner of Best Documentary is……CHINA HEAVYWEIGHT!

8:03pm: Jay Chou and Gooey address each other by their character names. Gooey says “My favorite role of yours is….GREEN HORNET”

The two are presenting Best Documentary. I didn’t predict this category.

8:00pm: From Twitter again: “Tony Yang’s girlfriend=Amber Kuo, yo”. Thanks, Shelley! Also from her: “NIGHTFALL should never win for anything”

7:59pm: From Twitter “Tony Yang’s gf is Amber Kuo”. Thanks, @yupkigirl!

7:58pm: Jay Chou and Guey Lun-Mei (aka Gooey) up next as presenters.

7:57pm: And the winner of Best Editing is……………..BEIJING BLUES! Second award of the night

7:56pm: Sorry, Chen and Yang’s second award is Best Editing. I didn’t predict anything, but would like to see MYSTERY win. BEIJING BLUES also a possible winner.

7:55pm: And the winner is……………NIGHTFALL????!!!!!!!!!

Nick Cheung accepts the award on behalf of the winners.

7:54pm: The first award they’re presenting is Best Sound Effects. I predicted BLACK AND WHITE, but want BULLET VANISHES or SILENT WAR

7:52pm: Ivy Chen and Tony Yang now presenting Best Sound Effects and Best Special Effects. Chen is nominated for Best Supporting Actress, and apparently Yang’s girlfriend is also nominated. Tell me on Twitter who they’re talking about.

7:50pm; Alan Kuo performing DIN TAO, nominated for Best Original Song tonight.

7:47pm: Lead cast of DIN TAO and drumming troupe perform. First performance of the night.

Friendly reminder: Tweet your thoughts about tonight’s awards in Twitter with the hashtag #2012GHA!

7:45pm: Huang Bo and Bowie talk about the success of local films, from PAINTED SKIN to VULGARIA to DIN TAO

7:42pm: No clear front runner yet. GF*BF already lost out at least two categories, one of which had a pretty good chance of winning.

7:41pm:  Next up: Ivy Chen and Tony Yang present….something. We’ll find out after the commercial break

7:40pm: Chapman To lost, but looks very happy that Ronald won for VULGARIA….co-produced by To

7:38pm: And the winner for Best Supporting Actor is………Ronald Cheng!

7:37pm: And now, Niu and Peng remain for Best Supporting Actor. I predicted Ronald Cheng to win for VULGARIA.

7:36pm: Winner Wu Di says it was the first time he’s ever shot on digital.

7:35pm: And the winner for Best Cinematography is…………..BEIJING BLUES! Good night for Mainland Chinese cinema tonight.

7:34pm: Niu and Peng say they don’t know why they’re presenting Best Cinematography. Skips to nominee clip. Ouch.

I predicted Jake Pollock to win for GF*BF, but wanted WHITE DEER PLAIN to win.

7:32pm: Doze Niu and Eddie Peng up next as presenters after this commercial break.

7:31pm: And the winner of Best Art Direction is………..DESIGN OF DEATH! A pleasant surprise!

7:29pm: Winner just says thanks and takes off. Pinna and Chang caught off-guard

Time for Best Art Direction now. I predicted FLYING SWORDS OF DRAGON GATE

7:28pm:  And the winner is………THE BULLET VANISHES! Whoo-hoo, I got one right.

7:27pm: An awkward “whose turn is it to talk now” moment there with Chang and Pinna. The latter keeps missing her cue.

They’re presenting Best Make-up and Costume Design. I predicted TAI CHI or BULLET VANISHES

7:26pm: And time for our first commercial break. Next presenters: Joseph Chang and Sandrine Pinna

7:25pm: That was a bit of a surprise. Does that signal the beginning of a good night for Lou Ye’s MYSTERY?

7:24pm: And the winner of Best New Performer is……….Qi Xi for MYSTERY!

7:22pm: I predicted that Peijia Huang would win this category with CHA CHA FOR TWINS.

7:20pm: Ko and Kuo remain on the stage to present Best New Actor. Ko Chen-Tung won this awards last year.

7:19pm: And the winner of Best Short Film is……..THE HOME GLEANERS

7:18pm: Amber Kuo and Ko Chen-Tung are the first presenters. Presenting Best Short Film.

7:17pm: Of course, they throw in an anti-piracy message at the end of the dance sequence

7:15pm: This is the first year that the nominee list expanded to five?

7:14pm: “All of this year’s Best Actor nominees have beautiful wifes, too!” Lau Ching Wan shakes his head.

Huang Bo: “What about Nicholas Tse?”

Bowie Tsang: “Let’s not go there”

7:12pm: Huang Bo: “Look, I was beaten up this year, too! Why wasn’t I nominated? Chapman To didn’t get beaten up, either.” This was followed by a clip of VULGARIA. Yes, that clip.

7:11pm: “All of this year’s Best Actor nominees had to withstand a good beating!”

7:10pm: I am not kidding that when I type that Huang Bo is a surprisingly good singer.

7:08pm: Tonight’s hosts are Bowie Tsang and HUANG BO! The two start with speech about dreams and being happy to be there. Leads to a song & dance!

7:07pm: As always, just keep reloading this page to see the latest entries.

7:06pm: Awards officially starting now. Starting with montage of nominated films.

7:03pm: Holy crap, Lin Chiling is really tall. I also call the kettle black.

7:02pm: The feed starts with red carpet footage, Lin Chiling walking the red carpet now.

7:00pm: And we’re off. Star Movies Chinese feed starting now.

14:30: Four and a half hours away from the show. Tonight’s live blog is brought to you by the iPad, my generic keyboard, my desktop computer, and Splashtop 2. We’re hella hip with technology like that. Since this seems to be working, I’ll be back at 7:00pm Hong Kong time! 

Don’t forget to join and post comments on twitter with hashtag #2012GHA!

The Golden Rock - 2012 Golden Horse Awards Predictions Edition

 

lifeprinciple.jpg
“I’m ready to get that Golden Rock guy when he gets in the car”

Before every awards live blog, I post my predictions for most, if not all, categories. This year’s Golden Horse Awards is no exception. So the below are my predictions for the awards.

Have no idea what I’m talking about? Check out my post from several days ago and get ready to join us for the Golden Horse Awards live blog!

gfbf.jpg
“If we had known that we’d be a frontrunner at the Golden Horse Awards, we would’ve made out a little longer! You know, for more votes!”

Best Picture

Nominees:
- Beijing Blues
- The Bullet Vanishes
- GF*BF
- Life Without Principle
- Mystery

Will Win: GF*BF
Should win: LIFE WITHOUT PRINCIPLE

Taiwanese films tend to have a slight advantage at the Golden Horse (for obvious reasons). Since the other four films aren’t significantly stronger than the Taiwanese entry, GF*BF actually does have a chance to take the top prize. However, in my own opinion, LIFE WITHOUT PRINCIPLE is the strongest of the five films - but just barely.

Best Director

Nominees:
- Gao Qunshu (Beijing Blues)
- Yang Ya-Che (GF*BF)
- Johnnie To Kei-Fung (Life Without Principle)
- Doze Niu (Love)
- Lou Ye (Mystery)

Will win: Doze Niu (LOVE)
Should win: Gao Qunshu (BEIJING BLUES)

In the past two years, the winner of the Best Director prize didn’t win Best Picture, and it would be no surprise if that trend continues this year. Note that Law Chi-Leung was not nominated, replaced by Doze Niu, which means that the committee must’ve saw something in Niu’s skill to juggle multiple plot strands and 10 major characters in a single film - even if that film wasn’t the top 5 films of the year. The GHA has made strange choices before, and Niu winning would not be their strangest decision (Aaron Kwok, I’m looking at you). Gao Qunshu picked up the Best Director prize at the Shanghai Film Festival for BEIJING BLUES, and it’s easy to see why from the film. I wouldn’t mind if Johnnie To wins, either.

Best Actor

Nominees:
- Joseph Chang (GF*BF)
- Lau Ching-Wan (Life Without Principle)
- Nick Cheung Ka-Fai (Nightfall)
- Nicholas Tse Ting-Fung (The Viral Factor)
- Chapman To Man-Chat (Vulgaria)

Will win: Joseph Chang (GF*BF)
Should win: Lau Ching-Wan (LIFE WITHOUT PRINCIPLE) or Nick Cheung (NIGHTFALL)

I’m going to insist that the Taiwanese entry in any major category with just one Taiwanese nominee has a better chance of winning. Since Joseph Chang actually does give the best performance in the film, and his category is in dead heat, I will predict that he will win. However, Lau has never won a Golden Horse award, and Nick’s dialogue-less performance is flashy award bait, so they might be the more deserving ones here. I think Chapman is just happy to be there.

Best Actress

Nominees:
- Bai Baihe (Love Is Not Blind)
- Hao Lei (Mystery)
- Denise Ho Wan-Si (Life Without Principle)
- Guey Lun-Mei (GF*BF)
- Sandrine Pinna (Touch of the Light)

Will Win: Sandrine Pinna (TOUCH OF THE LIGHT)
Should win: Pass

Not having seen TOUCH OF THE LIGHT, I don’t want to make a call about who should win. However, wouldn’t be surprised if Sandrine Pinna takes the award in Taiwan’s representative at the Academy Awards Best Foreign Film race. If you force me to choose one between the four that I’ve seen, I would take Hao Lei or Bai Baihe. Yes, I chose two.

Best Supporting Actor

Nominees:
- Chapman To Man-Chat (Diva)
- Bryan Chang Shu-Hao(GF*BF)
- Zhuang Kai-Xun (Stilt)
- Ronald Cheng Chung-Kei (Vulgaria)
- Wu Gang (White Deer Plain)

Will win: Ronald Cheng (VULGARIA)
Should win: Ronald Cheng (VULGARIA)

Ronald Cheng is the best thing in Pang Ho-Cheung’s comedy, and he also has the flashiest performance out of the four nominees I’ve seen in this category (Chapman was good in DIVA, though). Even with two Taiwanese nominees, they will have to be pretty damn good to beat Ronald Cheng here, and Bryan Chang was not good enough. STILT, however, seemed to have been well-liked at home, which could work in Zhuang Kai-Xun’s favor. I haven’t seen the film.

Best Supporting Actress

Nominees:

- Liang Jing (Design of Death)
- Amber Kuo (Love)
- Ivy Chen Yi-Han (Love)
- Mavis Fan Hsiao-Shuan (The Silent War)
- Dada Chen (Vulgaria)

Will Win: Ivy Chen or Amber Kuo (LOVE)
Should win: Liang Jing (DESIGN OF DEATH)

Forget Mavis and Dada, which leaves us the two LOVE actresses and DESIGN OF DEATH’s Liang Jing. Amber and Ivy are both fine, and should be likeable enough to get the votes. However, Liang Jing gave a flashier performance (without dialogue, too, if I remember correctly) and a better performance overall as well.

 

bulletvanishes.jpg
Despite not being nominated, Liu Kai-Chi will show up uninvited like this

Best New Director

Nominees:
- Tsai Yueh-Hsun (Black & White Episode 1: The Dawn of Assault)
- Yang Yi-Chien, Jim Wang (Cha Cha for Twins)
- Fung Kai (Din Tao: Leader of the Parade)
- Hero Lin (Silent Code)
- Chang Jung-Chi (Touch of the Light)

Will Win: Chang Jung-Chi (TOUCH OF THE LIGHT) or Fung Kai (DIN TAO)
Should win: Pass

Chang Jung-Chi has the country’s Oscar representative, while Fung Kai has the breakout hit of the year. BLACK AND WHITE was a total flop, I personally felt nothing for CHA CHA FOR TWINS, and I haven’t seen SILENT CODE or LIGHT. So I won’t be speculating on who should win.

Best New Performer

Nominees:
- Peijia Huang (Cha Cha for Twins)
- Chun-Mei Guo (Flying Dragon, Dancing Phoenix)
- Zhang Zixuan (Love Is Not Blind)
- Qi Xi (Mystery)
- Eric Lin Hui-Min (Starry Starry Night)

Will win: Peijia Huang (CHA CHA FOR TWINS)
Should win: Peijia Huang (CHA CHA FOR TWINS)

The only thing I liked about CHA CHA FOR TWINS was Peijia Huang’s dual-role performance. It seems to be the flashiest out of the five (I haven’t seen FLYING DRAGON), and it’s a well-liked film, so Huang is currently the frontrunner.

Best Original Screenplay

Nominees:
- Dai Yan, Gao Qunshu (Beijing Blues)
- Yang Yi-Chien (Cha Cha for Twins)
- Yang Ya-Che (GF*BF)
- Milkyway Creative Team, Au Kin-Yee, Wong King-Fai (Life Without Principle)
- Mei Feng, Yu Fan, Lou Ye (Mystery)

Will win: GF*BF or CHA CHA FOR TWINS
Should win: LIFE WITHOUT PRINCIPLE

The two Taiwanese films are likely favorites in a field where the quality is pretty even across the board (except for CHA CHA, in my opinion, but it has awards to tell me otherwise). PRINCIPLE is just a personal favorite. Also, MYSTERY should be in adapted screenplay.

Best Adapted Screenplay

Nominees:
- Xu Haofeng (Judge Archer)
- Guan Hu (Design of Death)
- Bao Jingjing (Love Is Not Blind)
- Tom Lin Shu-Yu (Starry Starry Night)
- Wang Quan-An (White Deer Plain)

Will win: LOVE IS NOT BLIND
Should win: LOVE IS NOT BLIND

Have not seen JUDGE ARCHER, so it has a chance of winning. However, if I have to choose one out of the four, WHITE DEER PLAIN is close for ambition, but LOVE IS NOT BLIND is the most successful out of the four.

Best Cinematography

Nominees:
- Wu Di (Beijing Blues)
- Song Xiao-Fei (Design of Death)
- Jake Pollock (GF*BF)
- Cao Dun (Love Is Not Blind)
- Reitemeier Lutz (White Deer Plain)

Will win: Jake Pollock (GF*BF)
Should win: Reitemeier Lutz (WHITE DEER PLAIN)

Lutz ought to win just because of scale and how attractive the whole package of WHITE DEER PLAIN looks. Otherwise, Jake Pollock has won before, and he should be in a good position to win again partly because of that. Plus, GF*BF is a very pretty film.

Best Editing

Nominees:
- Yang Hongyu (Beijing Blues)
- David Richardson (Life Without Principle)
- Chen Po-Wen (Money and Honey)
- Simon Jacquet (Mystery)
- Cheung Ka-Fai (Nightfall)

Will win: pass
Should win: Simon Jacquet (MYSTERY)

Not having seen MONEY AND HONEY, I can’t make a call on who should win. However, Simon Jacquet did a great job sorting out Lou Ye’s active camerawork, and I wouldn’t be surprised if he is recognized for his work here.

mystery.jpg
MYSTERY star Qin Hao waiting to hear the news outside the Golden Horse Awards venue, shovel in hand.

Best Art Direction

Nominees:
- Lin Mu (Design of Death)
- Yee Chung-Man, Ben Lau Man-Hung (Flying Swords of Dragon Gate)
- Mam Lim-Chung (The Silent War)
- Penny Tsai (Starry Starry Night)
- Huo Tingxiao (White Deer Plain)

Will win: FLYING SWORDS OF DRAGON GATE
Should win: FLYING SWORDS OF DRAGON GATE

Money buys you the best set, and that goes for FLYING SWORDS OF DRAGON GATE. Also, Yee and Lau picked up the same award earlier in the year at the Hong Kong Film Award, so it would be no surprise if they pull a repeat here. However, the
category is pretty even this year, with strong work in DESIGN OF DEATH and WHITE DEER PLAIN as well.

Best Make-up and Costume Design

Nominees:
- Stanley Cheung (The Bullet Vanishes)
- Lin Mu (Design of Death)
- Fang Chi Luen, Li-Wen Hsu (Love)
- Man Lim-Chung (The Silent War)
- Tim Yip Kam-Tin (Tai Chi 0)

Will win: TAI CHI 0 or THE BULLET VANISHES
Should win: TAI CHI 0 or THE BULLET VANISHES

Both films are heavier on the make-up end than the Costume Design part, but the teams on both films churned out strong work that’s apparent on screen. I’ll be happy if either of those two films win.

Best Action Choreography

Nominees:
- Xu Haofeng (Judge Archer)
- Cyril Raffaelli, Li Chung-Chi (Black & White Episode 1: The Dawn of Assault)
- Yuen Bun, Sun Jian-Kui, Allen Lan Hai-Han (Flying Swords of Dragon Gate)
- Chin Kar-Lok (Motorway)
- Sammo Hung Kam-Bo (Tai Chi 0)

Will win: JUDGE ARCHER or TAI CHI 0
Should win: MOTORWAY or FLYING SWORDS OF DRAGON TIGER GATE

Sammo Hung’s work is more clearly seen in part two of the TAI CHI trilogy, but he may get an award based on seniority here. I haven’t seen JUDGE ARCHER, but Xu Haofeng is a well-known martial artist who devotes his life to martial arts (he writes novels and is a co-writer on THE GRANDMASTERS). Nevertheless, Chin Kar Lok and his team deserves to be recognize for their car stunts in MOTORWAY, and FLYING SWORDS is a previous winner at the HK Film Awards.

Best Original Film Score

Nominees:
- An Wei, Wang Fan (Judge Archer)
- Teddy Robin, Tommy Wai (The Bullet Vanishes)
- Chen Chien-Chi (Love)
- Ding Wei, Lin Zhaoyang (Love Is Not Blind)
- Peyman Yazdanian, Johann Johannsson (Mystery)

Will Win: LOVE
Should win: Pass

The four scores here weren’t particularly memorable, so I will fall back to the Taiwan advantage and choose the Taiwanese film. I have not heard the JUDGE ARCHER score, so that win may happen as well.

Best Original Song

Nominees:

- “She & Me” (from Cha Cha for Twins)
Music: ciacia
Lyrics: ciacia
Performer: ciacia
- “Din Tao” (from Din Tao: Leader of the Parade)
Music: Lui Wei-Ren
Lyrics: Lui Wei-Ren
Performer: Alan Kuo
- “DoReMi” (from Romancing in Thin Air)
Music: Lo Tayu
Lyrics: Lin Xi
Performer: Sammi Cheng Sau-Man

Will win: DoReMi (ROMANCING IN THIN AIR)
Should win: DoReMi (ROMANCING IN THIN AIR)

Seen all three films, heard all three songs, and only remember one of them. DIN TAO has a better chance of winning than CHA CHA’s song, but I have a feeling Sammi will come out on top.

Best Visual Effects

Nominees:
- Frankie Chung (Black & White Episode 1: The Dawn of Assault)
- Kent Chen, Horn Hsu (Cha Cha for Twins)
- Wook Kim, Josh Cole, Frankie Chung (Flying Swords of Dragon Gate)
- Koan Hui, Chang Hongsong (Painted Skin: The Resurrection)
- Xiao Yang, Chang Song, A Law, Li Ming-Hsung, Li Jin-Hui (Starry Starry Night)

Will win: PAINTED SKIN
Should win: STARRY STARRY NIGHT or CHA CHA FOR TWINS

CHA CHA FOR TWINS did pull off the twins concept very well because of its special effects team, though their work are virtually invisible compared for PAINTED SKIN and FLYING SWORDS. STARRY STARRY NIGHT also used effects to good measure - a restrained, but fairly strong effort.

Best Sound Effects

Nominees:
- Frank Cheng (Black & White Episode 1: The Dawn of Assault)
- Phyllis Cheng (The Bullet Vanishes)
- Dong Xu (Design of Death)
- Kinson Tsang King-Cheung, Lai Chi-Hung (Nightfall)
- Traithep Wongpaiboon, Nopawat Likitwong (The Silent War)

Will win: BLACK AND WHITE
Should win: THE SILENT WAR or THE BULLET VANISHES

BLACK AND WHITE is an easy choice because of the action portions, but THE SILENT WAR has a very intricately designed sound mix (though it was far too soft when I saw it in the cinemas), and BULLET uses the sound to drive the tension, especially towards the end of the film.

I will be referring to these predictions throughout the night of the awards. I predict that I’ll get a lot of these wrong, but I did try to put in as much informed opinion in this as I can. If i come out over 50% right, I would’ve had a good night.

Hope to see you on on November 24th on Twitter!

beijingblues.jpg
Detective Hunter Zhang being told why LOVE IS…PYJAMAS should’ve been nominated for Best Picture

 

The Golden Rock - September 2, 2011 Edition

(Note: This entry was edited on September 4th to fix a link. Also added one small paragraph about SEEDIQ BALE and an additional line about Zhao Baohua and the rating system)

- In the entertainment industry, you should always watch what you say publicly, especially when it might offend the powers that be. Of course, when you become one of those people, you can say whatever the hell you want, as long as it doesn’t offend the people above you.

Feng Xiaogang is one of those people. China’s most commercially successful director and a Huayi Brothers shareholder, Feng Xiaogang has always been an outspoken man, and this time, he is taking on China’s State Administration of Radio, Film, and Television

(Note: The following report is sourced and translated from multiple articles, which you will be able to find at the bottom of the entry. Yes, you will have to read Chinese to know which is which)

Remember when I blogged before about how many people get a share of total box office gross in China? I wrote that it is split (never evenly) amongst cinemas, distributors, and investors. However, what I didn’t know was that the SARFT takes 5% from the theatrical gross of any film that is publicly exhibited in China, in addition to the 3.3% revenue tax. The 5%, which goes to a government film fund that aims to help build film screening infrastructure in rural areas, fund children’s films, and fund “Main Melody Films” (I’m gonna have to start a glossary for these terms soon).

At least that’s what they say the fund does. Anyway, Feng, who is a member of the Chinese People’s Political Consultative Conference, recently attended a conference on the Chinese cultural industry and spoke about problems in the Chinese film industry. One of the problems, he said, is the way the film fund makes money.

He used the example of Huayi Brothers. The box office revenue for their films in 2010 was 1.7 billion yuan. After taking away the cinema’s share, money spent on promotion, production, taxes and various fees, the company made a profit of 80 million yuan. On the other hand, the film fund collected 40 million yuan from Huayi, which is already half their profit. Huayi is one of the most profitable film companies in China, so imagine how much this 5% hurts the smaller companies.

To help production companies and investors find an easier way to profitability, Feng suggests that the government should be paying for the work of the film fund, and SARFT should abolish the 5% tax. Yes, he went there.

And he didn’t just stop there, either.

Feng then went on to criticize the SARFT’s censorship process.  Essentially, what he says is that the censroship process has come under heavy scrutiny by the audience, to the point where “SARFT examines films, while the people examines SARFT”. He also points out that the pressure from SARFT’s censorship ends up on the filmmakers, as the suggestions for cuts have reached the point of becoming laughable. Also, the audiences ends up blaming the flaws caused by these censorship cuts on the filmmakers.

Feng said even his AFTERSHOCK, which underwent changes from censorship, was heavily criticized for things that were ordered to be there due to SARFT censorship. In such an environment, directors have all flocked to historical films in order to avoid censorship troubles. As a result, Feng noted that there has only been a few “game changer” films in the Chinese film industry. As a result, he requested that the SARFT examines the negative effects of film censorship.

And then came the responses.

A representative for the film fund defends its tax, saying that 1) The film fund is designed to improve the Chinese film industry, and 2) This is a practice that has been done around the world, including France and Korea. In fact, according to the rep, some countries take even more than 5%! In other words,we do what we’re supposed to do, and it’s OK for us to do it because foreigners do it, too!

Still, the most useful thing this spokesman said was the five main functions of the film fund: 1) To renovate old cinemas, 2) Assist in the construction of cinemas, 3) Install digital projection in cinemas across the country, 4) Screen films in rural areas, and 5) “prepare for new technology in cinemas”.

Meanwhile, industry people like Huayi’s head Wang Zhonglei and Starlight’s Song Guangchang are naturally for abolishing the tax. Meanwhile, others have included alternatives like waiving the tax for films that cost less than 10 million yuan, or waiving the tax for Chinese made films and collect only from imported films. Good luck making that latter one work for co-productions.

As for the censorship comment, the head of LeTV suggests being more lenient on cuts for mid-to-low-budget films to “encourage creativity and explore unique topics”. On the other hand, director Fei Xing (of THE MAN BEHIND THE COURTYARD HOUSE) recounted the four months he dealt with censorship and ended up hearing audience criticized him for awkward SARFT cuts. He suggests that the censors should skew younger and take part in more communication with filmmakers.

Film critic/scriptwriter/SARFT censor Zhao Baohua defended SARFT’s work (though he insisted he does not speak for SARFT, but only for himself), saying that films are only undergoing “bottom-line examination”, meaning that as long as the film’s content don’t violate any laws, it will pass. As for films with sensitive topics and violence, SARFT will give their “suggestions” as a responsibility to film fans and the Chinese film industry.

Zhao said that the media is currently demonizing SARFT and the censorship committee for their work, because the films SARFT has halted productions on are bad films anyway. “When a film deviates from mainstream societal values and the market, the fault should not go to the censorship process. Instead, they [the filmmakers] should examine what went wrong with the film,” said the censor. He also felt that China is not ready for a rating system because it would mean that deviant category III films filled with violence and sex would make its way into Chinese cinemas. He even compared category III films to opium, saying “How can opium enter the market? That is absolutely unacceptable.”

Of course, being the SARFT, that fund is not likely to go anywhere, and censorship will be just as heavy, even if there’s a rating system. The government is intent of maintaining its authority over people, and it’s not about to lose the film industry’s influence over people for petty things like artistic integrity. Then again, maybe I’m just pessimistic like that.

-  In other news of directors speaking out, Gordon Chan recently expressed his own concerns about the Chinese film industry at a recent event for his latest film MURAL. Chan was asked whether his film is truly worth watching, or is it just another bad film trying to force its way into cinemas to cash in on the emerging industry. He admits that there are many films with a higher budget for promotion than production to hype the film to death, only to disappoint audiences in the end. This is why he vows not to play that kind of game for MURAL. Yes, it’s quite obvious that Chan never played that game, especially since the production budget for KING OF FIGHTERS couldn’t possibly go any lower.

Anyway, the rest of is promotional fodder, so we’ll just skip all that.

- The 150-minute international version of Wei Te-Sheng’s SEEDIQ BALE (referred to as a “Chinese language film” in most mainstream Mainland Chinese media, by the way, without any regional label, despite what some western media say) had its world premiere at the Venice Film Festival, and review has been fairly mixed. Two Chinese-language review pretty agree that while its budget is clearly on the screen, the film in its current form lacks something to earn its “epic” label. One review even call it a live-action attempt at AVATAR (though Wei began developing the project long before anyone knew what AVATAR was).

Meanwhile, reviews on Variety, Hollywood Reporter, and Film Business Asia are also mixed, pointing the film’s violent and bombastic nature.

So SEEDIQ BALE may not be very good, at least in the form of a 150-minute film. But how is the media in Taiwan, where the film may become a game changer for its commercial film industry, reacting to all of this?

The Liberty Times and Yahoo News are focusing on the positive, reporting that the film was well-received at the festival screening with a 10-minute standing ovation, and that the producer proclaimed the price for North American rights immediately went up after the screening. They also reported the full, 4.5 hour version has been screened for the Taiwanese media, and that version was also very well-received, with applause heard at the very end of part two.

Meanwhile, Christian alternative media Awakening News Network and NOWNews reported that the film wasn’t well-received at the festival screening, and that applause was very scattered, as opposed to the 10-minute standing ovation many Taiwanese media reported.

It would appear that SEEDIQ BALE is being used as Taiwan’s own propaganda tool, promoted as the pride of the nation with a film industry trying to pick itself up from its previous failures. Is it great that SEEDIQ BALE can revive the Taiwanese film industry? Of course. It’d just be great if those news were true.

While one news report point out that 140,000 pre-sale tickets (amounting to a NT$40 million gross) has already been sold, film producer Lorna Tee told me on Twitter that the film is being opened on less screens than YOU ARE THE APPLE OF MY EYE and MONGA opened with. Meanwhile, a blog of someone who works in the Taiwanese film industry reports that the women seem to have no interest in the film. Considering Taiwanese blockbusters in recent years (APPLE, CAPE NO. 7, NIGHT MARKET HERO, and even the pretty boys-filled MONGA) all had to appeal to mainstream Taiwanese culture, and in a way, the female audience, a film about aborigines in what is essentially a foreign language filled with war, death, and destruction may not have the wide appeal it needs to become a hit.

Of course, with somewhat lowered expectations, the positive (and possibly inaccurate) news reports can simply be a last-ditch effort by producers to drum up hype for the film ahead of its opening. China does this all the time, to the point of planting stories in the media via underpaid journalists.

Part one of SEEDIQ BALE opens in Taiwan on September 9th. We’ll know what happens then.

- The excellent Hong Kong Film blog paid a set visit to the Patrick Kong-Wong Jing horror double feature HONG KONG GHOST STORIES recently, and the report revealed that the film will feature Chrissie Chau, Him Law, Bau Hei Jing, Juno Leung, and pretty much everyone else who was in Kong’s MARRIAGE WITH A LIAR. The film will feature two 45-minute horror films - one by Wong Jing and one by Kong - and it’ll be opening in Hong Kong around Halloween. I don’t imagine it’ll play in China, though. And if it does…well, we know what films about ghosts made for China are like.

-  It’s not over yet. China is still rolling out some more propaganda films to celebrate the Chinese Communist Party’s 90th anniversary, and the latest one is TONG DAO ZHUAN BING. This one has attracted some attention because there have been reports that pointed out part of the cast is made of real-life government officials, which means the attention on the internet is mostly negative.

The film finally opened on August 30th, and a report on Sina Entertainment found that no one is watching the film. The reporter found that the film is being placed in early morning or late night shows in cinemas, and that some shows are even being cancelled due to low admissions. This means it’ll probably beat THE SMURFS this weekend at the box office.

When asked about how the film will make its 8 million yuan budget back, director Zhao Qi insisted that the film will ultimately succeed on word-of-mouth, and that the film essentially needs only 1000-2000 admissions per city to break even. He has also denied that the film features any government officials as actors, insisting that everyone in the film are professional actors.

- Under I read Weibo so you don’t have to news, legendary actress Brigitte Lin has joined both Tencent and Sina Weibo (I only use Sina). In one day, Lin has already attracted over 320,000 followers on her Sina Weibo. You can follow her here

Next time: The Golden Rock at the 2011 Hong Kong Summer International Film Festival.

Sources

Awakening News Network
Cinephilia 1
Cinephilia 2
Hong Kong Film blog
The Liberty Times
Mtime 1
Mtime 2
Mtime 3
Mtime 4
Mtime 5
Mtime 6
Now News
Radio Taiwan International
Sina 1
Sina 2
Yahoo Taiwan

The Golden Rock - July 15, 2011 Edition

- Today’s focus story goes back to the “box office gouging” story popping up on the internet recently about BEGINNING OF THE GREAT REVIVAL. However, it seems like not many people (including the western press) know that this isn’t the first time it’s happened. An article in a lifestyle site has analyzed the trend, so here’s what they find, plus a little bit of my own insights:

On the opening day of WU XIA, some netizens reported that they were getting printed tickets for BEGINNING OF THE GREAT REVIVAL when they bought tickets for other movies. This so-called “box office gouging” has reportedly happened in a few cities, but no one knows the full extent of the practice. However, the CEO of Stellar Megamedia, a co-investor of Peter Chan’s WU XIA, said that the effect was actually minimal on its disappointing opening week.

This isn’t the first time box office gouging has been reported. According to the article, the first report of this happening goes all the way back to 2006, when Ann Hui’s THE POSTMODERN LIFE OF MY AUNT made only RMB 5 million, despite good word-of-mouth. The report quotes an “insider” who said that the box office gross for that film was actually split with other films in secret. The “insider” did not say what films they were.

Then, in 2010, CITY OF LIFE AND DEATH director Lu Chuan wrote an angry tweet on his Weibo, describing his anger when he saw a certain male company executive stood up at a meeting of film professionals and proudly proclaimed  “the main-stream has actually made money!”. He angrily wrote that that the box office for that executive’s “main-stream film” was gouged from box office grosses from smaller films. Of course, Lu did not write what film, what executive, or what company.

The last time such box office gouging happened was in December 2010, when audiences at one multiplex in China reported over the course of two days that they got printed tickets to Chen Kaige’s SACRIFICE when they wanted tickets to MY NAME IS NOBODY. That was probably the first actual recorded case of box office gouging by netizens, but rumor of such practice goes back as far as 2005, when there were rumors of KUNG FU HUSTLE’s box office gross being gouged by Huayi Brothers’ A WORLD WITHOUT THIEVES.

Of course, the first party everybody blames is either the production company or the distributor (or in the case of REVIVAL, the government!). However, there are actually many parties on each film that benefit from a film’s success. The report directly points its finger to cinema owners.  Typically, a Chinese film’s box office gross is shared by three parties - the cinema owners, the distributor, and the production company. The cinemas take the biggest share at 45-55%, and they can actually negotiate for a bigger piece of the pie if the film is a bigger release.

Now, let’s suppose that you’re a cinema owner that will be getting, say, a 55% of the gross for, say, BEGINNING OF THE GREAT REVIVAL. China Film Group tells you that they’re targeting a gross of RMB 800 million for the film, which means you’ll be picking up RMB440 million of that gross. So you line it up in your biggest auditoriums, give it half your total shows, expecting your local party members to show up and buy lots of drinks and popcorn.

Now suppose the film under performs.

As of Monday, July 11, BEGINNING OF THE GREAT REVIVAL has made only RMB 348 million, which is not only a ways to go before matching the gross of predecessor FOUNDING OF A REPUBLIC, but also a LONG way to go from the RMB 800 million target. If you find yourself only getting RMB 170 million out of the RMB 400 million you were promised from a film that’s giving you a higher percentage of the box office gross than other films that’s taking up your auditoriums now, what would you do?

The report goes to point out that it’s virtually impossible right now for Chinese production companies to send people out to monitor these practices because there are far too many cinemas in China (remember, it’s a big country, with lots of people). Also, the government has essentially bought into this ideology called free market and hasn’t done anything to monitor the practices of its film industry because of its rapid growth. The communication scholar quoted in the article essentially blames the government for not doing anything to crack down on dubious business practices in the film industry. Because seriously, who the hell would trust people to have a conscience or business ethics, right?

Of course, we’ll never know who is really behind these box office gouging practices, but I wouldn’t start pointing fingers immediately at China Film Group or the government just because one of the accused films happens to be a propaganda film celebrating the communist party’s 90th anniversary. Of course, they’re an easy target, but can China Film Group really send out a memo out to theaters all across China telling them to boost box office? And since we’re talking about the government being the puppet master here, why would they need to bother printing out fake tickets when they can simply get the numbers rigged?

Anyway, with netizens proving to be a more powerful monitor than any team sanctioned by production companies (WU XIA’s distributor immediately offered a cash reward for those who report box office gouging of their film, and they said they already allotted RMB 5000 - 1000 for each case), it’s not likely this type of behavior will become regular behavior.

HOWEVER, let me remind you that there are many shady practices in the film industry, including China’s, as well as its media. Hell, the report that I based this focus story on apparently literally steals portions from an older story (and maybe so on and so forth). There’s a possibility that we’re all being taken for a ride by PR firms, publicists, film distributors, media outlets, and even cinema owners. Right now, not even Peter Chan is willing to comment anything specific about possiblity of such practices, except he did say that he always found film distribution “very shady”. So, keep an open mind and just watch how things develop down the road.

- Some more Facebook pages of Hong Kong movies have opened:

Dante Lam’s big-budget actioner THE VIRAL FACTOR stars Nicholas Tse, Jay Chou, and Andy On. The film recently wrapped its shoot in Malaysia, and it’s not clear whether Lam will be shooting more in Hong Kong. The film’s shoot, unfortunately, has been on the news everyday due to the media’s coverage of the Nicholas Tse-Cecilia Cheung divorce. The film has yet to lock down a release date.

Wing Shya and Tony Chan’s LOVE IN SPACE is their follow-up to HOT SUMMER DAYS. Like SUMMER, the film will follow multiple love stories, and it stars Rene Liu, Aaron Kwok, Eason Chan, Guey Lun Mei, Angelababy, and Jing Boran. The 20th Century Fox production opens September 9th in China (and likely Hong Kong as well)

- Peter Chan and Takeshi Kaneshiro attended a promotional event for WU XIA in Beijing, and the film’s distributor released a deleted scene from the film online. The scene shows Takeshi Kaneshiro’s mental alter ego sparring with his investigator, played by Jiang Wu. The scene is amusing, but I can understand why it was cut from the film.

- In March, Huayi Brothers revealed a series of upcoming films called Plan H, including DETECTIVE DEE 2, YANG FAMILY, and Stephen Fung’s TAICHI (currently in production). Now, WINDS OF SEPTEMBER director Tom Lin’s STAR, starring Harlem Yu, Rene Liu and Xu Jiao CJ7), has locked down a November 4th release date. According to the news report, the film will be released day-and-date in Asia and North America. China Lion has a distribution deal with Huayi, so it’s not surprising that it will go to the states, but I have my doubts about Asia.

Another Plan H film getting ready to start production. Doze Niu (MONGA) is beginning a “test shoot” for his latest film LOVE, starring Shu Qi, Ethan Ruan, Mark Chao, and one more actress. While reports indicate that Vicki Zhao will be replacing Zhou Xun on the film, not even the media is willing to lock down who will be playing that fourth role.

And now, I read Weibo so you don’t have to:

- Musician Ah Niu, who made his directorial debut with ICE KAKANG PUPPY LOVE, has announced that his second film will be THE GOLDEN COUPLE. I imagine more info will come in a few days.

- Director Pang Ho-Cheung said that production has officially began on his LOVE IN A PUFF sequel, which is rumored to be called LOVE IN A BUFF

- Hong Kong producer Ng Kin Hung (GIRL$, HI, FIDELITY, the upcoming LAN KWAI FONG) is currently recruiting for his upcoming project about indie rock bands. Here’s the poster:

img_0091.JPG

 

- And to end the week on a high note: Actor Ronald Cheng has returned to the set of Wong Jing’s latest film after his wife gave birth to his baby daughter. Chapman To apparently attempted to console Ronald being separated away from his newborn baby, and this is the result:

 

img_0088.JPG

 

Next time: Why BEGINNING OF GREAT REVIVAL under performed, reading between the lines of China’s box office report, directors insisting their 3D movie really is 3D, and maybe some Korea/Japan news finally. Have a good weekend.

 

Sources:

China Times
ent.163.com
Film Business Asia
Lifestyle.com.cn
Mtime
Sina News

Yahoo News

The Golden Rock - Not-So-Live Golden Horse Awards 2009 Edition

For some reason, no Hong Kong television station is showing this year’s Golden Horse Awards live (does the lack of HK presence play any role in it?). So all I could do was watch the entertainment news channel and update the awards list as I go. Now that I find out it was simulcasted on the internet live, maybe I can live-blog it again next year.

Until then, here’s the winners list:

Best Film - No Puedo Vivir Sin Ti

Best Director - Leon Dai - No Puedo Vivir Sin Ti

Best Actor - Nick Cheung Ka-Fai - Beast Stalker and Huang Bo - Cow (tie)

Best Actress - Li Bingbing - The Message

Best Supporting Actress - Kara Hui - At the End of Daybreak

Best Supporting Actor - Wang Xueqi - Forever Enthralled

Best New Performer - Yu Shaoqun - Forever Enthralled

Best Original Screenplay - Leon Dai, Chen Wen-Pin - No Puedo Vivir Sin Ti

Best Adopted Screenplay - Guan Hu - Cow

Best Documentary - Cheung King-Wai - KJ: Music and Life

Best Editing - Cheung King-Wai - KJ: Music and Life

Best Cinematography - Cao Yu - City of Life and Death

Formoz Film Award - No Puedo Vivir Sin Ti

Formoz Filmmaker Award - Li Long-Yu

Best Art Direction - Face

Best Action Choreography - Ip Man

Best Original Score - Equation of Life and Death

Best Sound Effects - KJ: Music and Life

Best Visual Effects - Crazy Racer

Best Make-up and Costume Design - Face

The Golden Rock - September 18th, 2009 Edition

A short entry before the weekend:

- Super-duper Communist propaganda movie Founding of a Republic (with 170+ stars) is looking at a record opening day with a half-day gross of 14 million rmb. Possible reasons? It’s on a record number of screens, it has China’s best known stars, and free/discount coupons were passed out around the country, which the studio can easily report as a full-priced sdmission? Or everyone in China might just be that patriotic.

- The film festival in Kaohsiung is now reconsidering its decision to show 10 Conditions of Love, the documentary on exiled Uighur figure Rebiya Kadeer due to fears of angering China.

- Meanwhile, the Tokyo International Film Festival has possibly succumbed to public pressure, though this time, the pressure is forcing them to show a film instead of not showing it.

- In keeping with the festival news, the Hong Kong Asian Film Festival has announced its picks this year, which include two opening films being distributed by Edko (parent company of festival runner Broadway Cinematheque) and a Sion Sono retrospective. Time to get busy!

And that’s it for tonight. More over the weekend.

The Golden Rock - July 21st, 2009 Edition

- Taking over 120 screens (out of 190, according to this issue of Hong Kong Film Magazine), Harry Potter took in an amazing HK$23.2 million over its first 5 days at the Hong Kong box office. With one IMAX screen and a HK$10-inflated ticket price, did anyone not expect it to do this well? The good news is that it’s even doing better than Transformers II, because it’s obviously a superior movie.

On the other hand, Murderer didn’t get the historic 2nd week drop I was hoping for and made HK$4.2 million in its second week. With HK$9.4 million in the bank, don’t be surprised if it makes HK$15 million. In that case, I hope those audiences had a good laugh.

The only other thing close to competition against Harry Potter was the documentary KJ, and those nightly showings were sold out weeks ago. Night shows have been added again for a third time at a second theater - quite encouraging for a local documentary.

- And at the Japan box office, the great Harry Potter vs. Pokemon battle happened over the 3-day weekend, with Harry Potter winning soundly over those damn Pocket-sized monsters. Meanwhile, Amalfi, apparently Fuji TV’s most expensive film and now earning a complaint from the Japan Writer’s Guild because of a lack of writer credited for its screenplay (apparently director Nishitani and novelist Shimpo both denied credit because other people also participated in it. Via Ryuganji’s Twitter), debut at 3rd place.  The crowded market pushed a whole lot of films lower down the chart, including Transformers II now down at 9th place.

-  While the Japanese audience had the sense to watch a movie about a gangster high school teacher instead of Transformers, that kind of logic didn’t apply to the Chinese audience, who have decided to make Transformers II their highest-grossing film ever and turning their country into the highest-grossing territory in the world outside the USA.

- After winning the big prize at the Taipei  Film Festival last week, Leon Dai’s No Puedo Vivir Sin Ti won the Grand Prize this week at Japan’s Skip City. Now I regret missing it at the Hong Kong Film Festival.

- In addition to letting former deputy directors make crappy films with Jackie Chan cameos, China’s film agency SARFT is now banning local dialects from historical dramas, portrayals of government leaders, and kids’s shows because they don’t follow the standardize Mandarin policy the government is pushing. This could spell trouble for the super-duper Communist movie coming in September, considering the Communist party’s earlies leaders spoke in heavy local dialects. Then the SARFT can criticize them for not being historically accurate! What to do, what to do…..

- At the Jeonju Fantastic Film Festival, Hollywood execs have agreed on one thing: If you don’t watch our English-language movies, we’ll invade you by making movies in your own language. Juding by Park Chan-Wook’s Thirst, that’s a good thing. Judging by Murderer, that’s a terrible thing.

- And in Jeonju, producers also decided that 3D is the way to go for Asian films. I just briefly watched Andrew Lau’s The Park on TV today, and I’m inclined to disagree with that assessment.

- Koji Yakusho will be leading the ensemble cast in Takashi Miike’s remake of Thirteen Assassins, which has just started shooting.

- The Hong Kong government has decided to turn Bruce Lee’s former Hong Kong home - now a love hotel - into a museum and has launched a design competition for it.

- Before Hur Jin-Ho can even complete his latest film, Japanese distributor Amuse Soft has already snapped up the distribution rights for it. With the star of A Moment to Remember and the success of April Snow, will Hur Jin-Ho score another hit for the Korean wave in Japan?

- After Stephen Chow dropped out, Sony is still moving ahead with The Green Hornet by looking at Nicholas Cage to play the villain. Michel Gondry and Nicholas Cage as the villain? It’s so brilliant it doesn’t even need Stephen Chow!

Love Stinks

So I was just coming out of a movie a week and a half ago at the Dynasty Theater here in Hong Kong when I was knocked at the back of my head with a glass bottle. The last thing I remember and the only thing I heard was someone yelling “this is for not voting a Gold Label film for Best Picture at the Lovehkfilm Awards!” before he ran off towards Yau Ma Tei. Since then, I’ve been trying to wander home, and finally made it back tonight.

Just kidding, I’ve just been very busy with work and life stuff, so I haven’t been able to find time to post here. Since Sanney over at his blog did a news post, I figured I’d take a break from that and actually do a real post about movies.

As avid fans of the site may know, Hong Kong has been showered by movies with the word “love” in it, and believe or not, all of those movies actually came out after Valentine’s Day (though one did get sneak preview showings on Valentine’s, but that’s a techicality), and with the exception of Equation of Love and Death, they all actually sucked.

Disclaimer: I’m not counting Equation of Love and Death  because it premiered in Hong Kong before already, and besides, it’s actually a decent movie, so that would kill this whole post.

Give Love - Ineptly directed with a barely working script, the Joe Ma-Leefire collaboration makes me want to apologize to everyone on the behalf of the Hong Kong government, who shelled out money for this film to be made. Even though the stars were perfectly capable of doing what they were told to do, the directions were totally off the mark, resulting in one weird, yawn-inducing bore. Even the rumble seats at the theater couldn’t liven things up.

Love Connected - I already used over 1000 words to explain how I feel, so I won’t repeat it here.

Basic Love -  I really appreciate director Oxide Pang trying to do something outside of horror and ghost movies, I really do, but did he really have to do it with this? Employing an aspiring glossy look where at least half the frame is out of focus, the film takes a thin plot worthy only of a 45-minute film and stretches it to an excruxiating 98 minutes of meaningless conversations and melodramatic twists that come about 10 miles away. Yes, at least it was consistent, but it just makes it…..more consistent.

L-O-V-E -  How did this movie suck? Let me count the ways: The first film’s twist is moderately clever and actually kind of touching, but the film as a whole is marred by a dragged-out melodramatic ending.

The second film (by lyricist Vincent Fang) has bad acting and is altogether unremarkable. It also has the worst movie MTV ever.

The third film is mildly decent, with interesting moments. Honestly, it’s the best film of this bunch.

Then the fourth film, with all of its silly Taiwanese pop culture reference and all, was annoyingly eccentric for eccentricity’s sake.

Overall, L-O-V-E is a sad bunch of short films that’s only on the big screen because it’s made by famous people who are better off sticking to what they were doing in the first place.

And so, a disappointing set of films ended February in Hong Kong cinemas. I went to the cinemas to watch all of these, but I can guarantee that watching all four will bound to make you put off watching any Chinese-language romance films and will pretty much make your significant other doubt your sanity. Let’s face it, the only reason I watched all of these is because I like to inflict mental anguish on myself. Consider yourself warned.

The Golden Rock - February 19th, 2009 Edition

- Japan numbers are out on Box Office Mojo. Apparently, The Curious Case of Benjamin Button only lost 11.6% of previous week’s business to take the top spot away from 20th Century Boys. However, the latter isn’t stopping too quick, losing only 28.5% of previous week’s business at just past 2 billion yen. However, at this pace, it’s slightly behind part 1, which means it’s not likely to get past that 3.5 billion yen mark. Meanwhile, High School Musical lost a surprising 46.8% of business in its second weekend, making it a bona-fide disappointment for Disney.

Meanwhile, Three Kingdoms: Resurrection of the Dragon opened in Japan this past weekend. From a limited release of 8 screens, the Daniel Lee film made 5.08 million yen over 2 days. It doesn’t sound very strong, but according to Mr. Texas of Eiga Consultant blog, its Tokyo screen attracted 1359 admissions (out of a possible 1608 for its 8 shows in a 201-seat auditorium) and made 1.66 million yen, with packed shows on Saturday opening day.

- In Korea, Benjamin Button took the top spot, as expected. Meanwhile, the movie that’s making the big news is the documentary Old Partner, about an injured farmer and his ox. Started as a small indie release, it has blown up to a 200+ screen release and more than 700,000 admissions already.

More from Korea Pop Wars.

- In Chinese box office, Transporter 3 is off to a very good start, making just over 30 million yuan on opening weekend. Look For a Star is now at 89 million, and will likely pass that 100 million yuan mark. Joe Ma’s Give Love, despite being distinctly a recepient of the new Hong Kong government film fund, opened in China first and made roughly 9.5 million yuan. Cape No. 7, which finally saw its China release for Valentine’s Day, could only muster a 5th place opening of about 9 million yuan. This may be because many of its target youth audience has already downloaded the film and have no reason to go the theaters for it.

- On the Japanese Oricon charts, KAT-TUN gets their 9th consecutive number 1 single on the singles chart, while Thelma Aoyama gets her first number 1 album with her latest compilation, although I don’t know someone with just one full-length album can already have a compilation album.

More from Tokyograph.

- Coming off the moderate success of See You in Youtube, the directorial team of Seven’s (which include producer Oxide Pang, Cub Chien, and six other young directors) are back together for a school-themed film with young stars such as G.E.M., William Chan, and Siu Fey. Yikes.

- In what is likely to be a better film by a better director, Ang Lee is the latest director in talks to direct the adaptation of The Life of Pi.  Directors involved before Lee includes M. Night Shyamalan and Jean-Pierre Jeunet.

- In Thailand, the cabinet has passed the controversial film ratings system, and it’s set to be in place in May. It was meant to allow greater freedoms for filmmakers, but the sketchy wording of the system and the structure of the regulatory party have found more disapproval among Thai filmmakers instead.

- Variety’s Ronnie Scheib takes a look at Takashi Miike’s Yatterman after its screening at Berlin.

- Lastly, director Tsai Ming-Liang is in Taiwan rushing to complete his latest film Face in time for the Cannes Film Festival. But first, he will have to flood several city blocks of Taipei to get there.

The Golden Rock - February 12th, 2009 Edition

- Again, I’m using the Hong Kong Filmart website numbers for this week’s Hong Kong box office. Thanks to excellent word-of-mouth, The Curious Case of Benjamin Button took the top spot for the week, beating All’s Well Ends Well 2009 for a total of HK$19.6 million after 18 days. Meanwhile, Bride Wars led the newcomers, making HK$2.2 million from 33 days over the first 4 days. Will Smith’s Seven Pounds is all the way down at 9th place with just HK$1.72 million from just 19 screens after 4 days.

The rest of the numbers seem faulty (All’s Well Ends Well should be well past the HK$20 million mark now), so I’ll save the reporting for next week when better numbers come out.

-In Japanese box office, 20th Century Boys II managed to hold on to the top spot, despite losing 43.8% of business and Benjamin Button opening. Running 20 minutes longer (but on 53 more screens), Benjamin Button could only muster a 2nd place opening with a lower per-screen average than 20th Century Boys. According to Mr. Texas at Eiga Consultant, its opening was 110% of The Departed (another major Oscar nominee), which means it’ll make just under 2 billion yen. Then again, it may end up going to Hong Kong route and end up being a long-term hit. Weeks 2 and 3 will answer that.

In a relatively moderate release, High School Musical only scored a 5th place opening in terms of gross (it got bumped to 6th by Penguins in the Sky - Asahiyama Zoo on the attendence chart), it earned a respectable per-screen average.

- In Chinese box office, Look For A Star continues its reign at the top with 68 million yuan and counting, despite it not doing so well in Hong Kong.I’m surprised All’s Well Ends Well was the only film with an increase in gross, now with 31 million yuan and counting. And what the hell is Black Book doing there (unless it’s heavily censored)?

- In Taiwan box office, Foreign films continue to reign, with Yes Man and Seven Pounds taking the top spots. Red Cliff II still doing very well too, with 136 million New Taiwan Dollars in the bank. However, it’s also far from what part 1 had after its 4th weekend, which is the general pattern it’s following throughout Asia, except in China and Korea.

- In Korea, Red Cliff II has surpassed part 1, and still in second place this past weekend. The good news is that Korean films has taken 45.9% of total box office so far this year. Hopefully, that’s pointing towards an upward trend from the slump last year.

More at Korea Pop Wars

- The Hong Kong Film blog has posted the list of the nominess for the Hong Kong Film Awards. Red Cliff has 15 nominations, Ip Man and Painted Skin have 12 nominations,and even though The Way We Are only has 6 nominations, it was nominated in all themajor categories except Best Actor and Best Supporting Actor. Here are the major nominations:

BEST PICTURE

Red Cliff
Ip Man
Painted Skin
The Way We Are
CJ7

BEST DIRECTOR

Ann Hui - The Way We Are
Johnnie To - Sparrow
John Woo - Red Cliff
Wilson Yip - Ip Man
Benny Chan - Connected

BEST ACTOR

Louis Koo - Run, Papa Run
Simon Yam - Sparrow
Donnie Yen - Ip Man
Nick Cheung - Beast Stalker
Tony Leung - Red Cliff

BEST ACTRESS

Bau Hei-Jing - The Way We Are
Prudence Lau - True Women For Sale
Zhou Xun - Painted Skin
Karena Lam - Claustrophobia
Barbie Hsu - Connected

BEST SUPPORTING ACTOR

Zhang Fenyi - Red Cliff
Stephen Chow - CJ7
Liu Kai-Chi - Beast Stalker
Lam Ka-Tung - Ip Man
Louis Fan - Ip Man

BEST SUPPORTING ACTRESS

Race Wong - True Women For Sale
Vicky Zhao - Red Cliff
Chan Lai-Wun - The Way We Are
Betty Sun Li - Painted Skin
Nora Miao - Run, Papa Run

BEST SCREENPLAY

Run, Papa Run
Claustrophobia
Painted Skin
Beast Stalker
The Way We Are

Some real atrocious choices (Painted Skin?! CJ7?! No Beast Stalker for Best Film?!), but I hope the voters will have some common sense left and let The Way We Are gets its day in the spotlight.

If anyone wonders how Claustrophobia got nominated, they had 5 night showings that were not opened to the public, but counted as having a week of release in 2008.

- Some Ip Man-related news today on Apple Daily: Wilson Yip and co. will start shooting the sequel this summer with a target release date of February 2010 (probably the next Lunar New Year slot), and Mandarin Films has already greenlit a second sequel as well. Right now, the filmmakers are looking for Jay Chou or Shaolin Soccer’s Chan Kwok-Kwan (aho already played Bruce Lee in the CCTV drama) to play Bruce Lee.

Meanwhile, Tony Leung said that Wong Kar-Wai plans to begin shooting his version of the Ip Man story in June, but he also says WKW may not even be done with shooting the film until the third Ip Man movie has been released, and that he expects that version to take a path that strays from Wilson Yip’s action film.

-  From Youtube is the trailer for Gegege no Kitaro and 10 Promises with My Dog director Katsuhide Motoki’s crazy looking Kamogawa Horumo (info from Nippon Cinema). It looks crazy, but I have little faith in Motoki’s work in general.

-  It’s reviews time! Both reviews are from Hollywood Reporter Asia today - one for Ivy Ho’s Claustrophobia from Peter Brunette, and by Neil Young is the review for Funahashi Atsushi’s Deep In the Valley, which was shown at the Forum section of the Berlin Film Festival.

- It already went through the TELA’s rating system in December, and now Sex and Chopsticks II has a poster which reveals a release date of March in Hong Kong. See you at the Dynasty.

- In other release news, despite a generally weak European Film Market at Berlin, America’s Magnolia Pictures, who brought the cut version of Ong Bak 1 and the uncut version of Chocolate to the United States, has picked up the American rights to Ong Bak 2.

- Under “Japanese TV drama” news , the moderate hit drama Zettai Kareshi is coming back for a one-episode drama special this spring.

Meanwhile, actor Jo Odagiri is returning to TV after Jikou Keisatsu for a TBS drama next season, co-starring Masami Nagasawa as his sister.

Lastly, the weekly variety show Goro’s Bar, hosted by SMAP member Goro Inagaki, will be turned into a drama special that will feature Inagaki playing the owner of a bar instead of him pretending to be a pop star pretending to be the owner of a bar.

- Chen Kaige talks about making Forever Enthralled at the Berlin Film Festival, where the film is the only Chinese-language film in competition. He talks about the pressure of having opera star Mei Lanfang’s son as a consultant and how important liberty is. Surely, he’s only able to say that outside of China.

- Lastly, further proof why Naoto Takenaka is the most awesome actor working in Japan.

 
 
LoveHKFilm.com Copyright © 2002-2014 Ross Chen