- reviews - features - people - panasia - blogs - about site - contact - links - forum -
Site Features
- Asian Film Awards
- Site Recommendations

- Reader Poll Results

- The FAQ Page
support this site by shopping at
Click to visit
We do news right, not fast

Note: This blog expresses only the opinions of the blog owner,
and does not represent the opinion of any organization or blog
that is associated with The Golden Rock.

The Golden Rock - August 29th, 2008 Edition

- Time to look at opening day box office in Hong Kong. Journey to the Center of the Earth continues to hold onto the top spot, making HK$830,000 from 34 screens on Thursday for a 15-day total of HK$23.33 million. However, according to the Hong Kong Film blog, roughly 65% of that Thursday take is from the 3D version, which charges a significantly higher ticket price.

As for opening films, the Spanish horror film Rec has the best debut, making HK$456,000 from 29 screens. With a shorter length, more shows per day, and fairly aggressive marketing, the category III film should attract the younger 18-and-older audience over the weekend. Those who can’t get into Rec may try for Patrick Kong’s Forgive and Forget, but the weak performance of advance screenings last weekend carried over, as the romance-horror film made only HK$211,000 from 34 screens on its opening day. Where Patrick Kong goes from the film’s impending failure should be interesting, as young audiences are either getting tired of his contrived overdramatic teen romance shtick, or they just don’t find Alice Tzeng a good substitute for Stephy.

Attracting older audiences over the weekend will be the Hollywood romantic comedy My Best Friend’s Wedding II Maid of Honor. Even though it only opened with HK$266,000 from 25 screens on opening day, it should still get a good enough boost over the weekend to get it past the HK$1 million mark by the time the weekend’s over.

In more limited releases, Hana Yori Dango Final also joins in to attract the teen audiences (it’s the final weekend before school year starts in Hong Kong, and seems to work. On just 12 screens, the schoolgirls-oriented fantasy romance made HK$184,000. Looking at internet sales, some theaters are already moving to larger screens, which means it might be looking at a pretty big boost over the weekend. Lastly, the British romance The Edge of Love opened on 6 screens for a weak HK$58,000 take. More when the numbers come out on Monday.

-Hayao Miyazaki’s Ponyo on a Cliff By the Sea has passed another major mark, recording over 10 million admissions in Japan on the 41st day of release. In comparison, Spirited Away took 31 days, Howl’s Moving Castle took 44, and Princess Mononoke took 66 days.

- With the first installment of the mega-budgeted trilogy 20th Century Boys opening in Japan tomorrow (thankfully, it will open here in Hong Kong relatively quickly on September 25th), the Daily Yomiuri looks at how the long-planned adaptations came about.

And Jason Gray posted his thoughts on the film during my hiatus.

- Korean public broadcaster KBS has expanded their KBS Film Festival to 10 theaters nationwide for the first time. Also, they will also be making the films available online and through broadband television. In its 4th year, the KBS Film Festival brings over films from around the world that would otherwise never make their way into Korean theaters.

-  Yasufumi Terayaki, the younger half of the Aibou duo, will be leaving the hit detective show after its 7th 6-month season, which is slated to start in October. No word on how the actor’s departure will be dealt with on the show, and no word on whether the show will continue on without one of the show’s two stars.

Leave a Reply

Before you submit form:
Human test by Not Captcha Copyright © 2002-2024 Ross Chen