January 15th, 2009
A big change has come regarding the Hong Kong box office news provided on this blog. Since my usual source now.com has decided to stop its box office stats page, I will now only be able to report on Hong Kong box office once a week. My source now will be the Hong Kong Filmart website, which offers comprehensive stats only once a week. Hopefully, a better source will come along soon.
- No Japan box office numbers yet, but the attendence ranking is out. Surprisingly, Steven Soderbergh’s first Che movie landed on 2nd place in its first weekend. According to Mr. Texas at Eiga Consultant, it made 139 million yen from 248 screens nationwide in its first two days of release (even though it was a 3-day holiday weekend), and that the 47 theaters in the 9 major metropolitan areas accounted for 47% of the gross. So while the per-screen average is roughly 560,000 yen, the per-screen average in the major cities is much higher at roughly 1.21 million yen. However, with 42% of Moviewalker voters giving the first film a C, I doubt the second film will do as well when it comes out in three weeks.
Other than that, with the exception of The Day the Earth Stood Still taking a dive to 4th place, everything else remains fairly stable.
- Japan will get its first major domestic release this weekend with virus disaster film Pandemic, and Jason Gray provides a fairly lengthy review of it on his blog.
- In China, Red Cliff 2 was so huge that it already made over 100 million yuan over the opening weekend. Of course, it probably opened on a whole lot of screens to get to that number. With the Lunar New Year holiday underway in China, looks like it might actually make its budget back just with the Chinese box office gross. I’ll be catching this tomorrow night here in Hong Kong.
- In Korea, only two films on the top 10 this past weekend are local releases, but they also happen to be the highest-grossing releases on the top 10 by far.
More over at Korea Pop Wars.
- The Winter 2009 Japanese drama season is underway, with a few major drama premiering this past week. The Ryo Kase-Yukie Nakama drama Arifureta Kiseki saw a soft opening with only a 12.5% rating. Meanwhile, the 4th season of Tokumei Kakarichou Tadano Hitoshi makes its premiere at primetime (which means less of the risque content that made it special before at its old late-night timeslot), and got a respectable 11.9% rating. The Yosuke Eguchi-Goro Inagaki-Ryoko Hirose mystery drama Triangle started off with only an OK-14.7% rating.
Meanwhile, Akai Ito has benefitted from the film version with a boost to a 10% rating for its latest episode. Not in the linked chart, but the Code Blue special episode had a 23.1% rating, which is even higher than its highest-rated episode. Don’t be surprised if it’ll be heading to the big screen soon.
Next week will be the premiere of the Monday night 9pm Fuji drama and the second episode dips of the dramas mentioned above.
- On the Japan Oricon charts, the first solo single by Tackey (of Tackey and Tsubasa) scored first place on the singles chart, while Ai no Mama de has proven to be this year’s benefactor of the “Kohaku Effect” (songs not quite well-known previously gets a huge bump after appearing on the yearly Kohaku Uta Gassen music extravaganza on New Year’s Eve). Ikimono Gakari’s album gets bumped down to 3rd place in its second week by two compilation albums. Such is the tragedy of J-pop sales.
- Jackie Chan will likely be joining the cast of the remake of The Karate Kid, starring Will Smith’s son, as the titular character’s master. I wonder whether Jackie will be playing a Japanese character (Karate is, after all, Japanese), and how Chinese netizens will be reacting to that one.
- An interesting article from Hollywood Reporter reports that Oscar favorite Slumdog Millionaire may not do very well in India because of the harsh reality of India it portrays, despite its popularity overseas.
- Another possibly risky release is the Taiwanese blockbuster Cape No. 7, which finally has a set release of Valentine’s Day after the distributor pulled its initial release after rumors that it was out of fear of a disgruntled nationalistic audience and political reasons (the official reason was something about the subtitles). However, it will be slightly altered for some bad language, which probably includes its famous opening line.
- The Academy has announced its short list for the Best Foreign Film nominee, and Japan’s Departures managed to get on it. If nominated, it would be the first Japanese film since Yoji Yamada’s Twilight Samurai to receive a Best Foreign Film nomination. Also glad to see France’s The Class on that short list.
Not exactly a surprise, but neither Painted Skin nor China’s Olympic documentary Dream Weaver got on that short list.
- The atrocious Hana Yori Dango Final has spent its 4th consecutive week at the top of the Japanese DVD sales chart, and is now the 3rd best-selling Japanese DVD in history. It just means Japanese people need to buy more DVDs of better movies and that they need to be charged less for it.
- Despite having premiered at the Venice Film Festival back in 2006, Jia Zhangke’s Still Life didn’t get a North America release until 2008, which made it qualified for the various critics awards. This is why it managed to win two awards at the Los Angeles Film Critics Awards for Best Foreign-Language Film and Best Cinematography.
- Variety’s Derek Elley has a review for Tony Jaa’s Ong Bak 2, which satisfied this blogger’s need for a muay Thai fix. though not the need for a compelling story.