February 12th, 2009
- Again, I’m using the Hong Kong Filmart website numbers for this week’s Hong Kong box office. Thanks to excellent word-of-mouth, The Curious Case of Benjamin Button took the top spot for the week, beating All’s Well Ends Well 2009 for a total of HK$19.6 million after 18 days. Meanwhile, Bride Wars led the newcomers, making HK$2.2 million from 33 days over the first 4 days. Will Smith’s Seven Pounds is all the way down at 9th place with just HK$1.72 million from just 19 screens after 4 days.
The rest of the numbers seem faulty (All’s Well Ends Well should be well past the HK$20 million mark now), so I’ll save the reporting for next week when better numbers come out.
-In Japanese box office, 20th Century Boys II managed to hold on to the top spot, despite losing 43.8% of business and Benjamin Button opening. Running 20 minutes longer (but on 53 more screens), Benjamin Button could only muster a 2nd place opening with a lower per-screen average than 20th Century Boys. According to Mr. Texas at Eiga Consultant, its opening was 110% of The Departed (another major Oscar nominee), which means it’ll make just under 2 billion yen. Then again, it may end up going to Hong Kong route and end up being a long-term hit. Weeks 2 and 3 will answer that.
In a relatively moderate release, High School Musical only scored a 5th place opening in terms of gross (it got bumped to 6th by Penguins in the Sky - Asahiyama Zoo on the attendence chart), it earned a respectable per-screen average.
- In Chinese box office, Look For A Star continues its reign at the top with 68 million yuan and counting, despite it not doing so well in Hong Kong.I’m surprised All’s Well Ends Well was the only film with an increase in gross, now with 31 million yuan and counting. And what the hell is Black Book doing there (unless it’s heavily censored)?
- In Taiwan box office, Foreign films continue to reign, with Yes Man and Seven Pounds taking the top spots. Red Cliff II still doing very well too, with 136 million New Taiwan Dollars in the bank. However, it’s also far from what part 1 had after its 4th weekend, which is the general pattern it’s following throughout Asia, except in China and Korea.
- In Korea, Red Cliff II has surpassed part 1, and still in second place this past weekend. The good news is that Korean films has taken 45.9% of total box office so far this year. Hopefully, that’s pointing towards an upward trend from the slump last year.
- The Hong Kong Film blog has posted the list of the nominess for the Hong Kong Film Awards. Red Cliff has 15 nominations, Ip Man and Painted Skin have 12 nominations,and even though The Way We Are only has 6 nominations, it was nominated in all themajor categories except Best Actor and Best Supporting Actor. Here are the major nominations:
The Way We Are
Ann Hui - The Way We Are
Johnnie To - Sparrow
John Woo - Red Cliff
Wilson Yip - Ip Man
Benny Chan - Connected
Louis Koo - Run, Papa Run
Simon Yam - Sparrow
Donnie Yen - Ip Man
Nick Cheung - Beast Stalker
Tony Leung - Red Cliff
Bau Hei-Jing - The Way We Are
Prudence Lau - True Women For Sale
Zhou Xun - Painted Skin
Karena Lam - Claustrophobia
Barbie Hsu - Connected
BEST SUPPORTING ACTOR
Zhang Fenyi - Red Cliff
Stephen Chow - CJ7
Liu Kai-Chi - Beast Stalker
Lam Ka-Tung - Ip Man
Louis Fan - Ip Man
BEST SUPPORTING ACTRESS
Race Wong - True Women For Sale
Vicky Zhao - Red Cliff
Chan Lai-Wun - The Way We Are
Betty Sun Li - Painted Skin
Nora Miao - Run, Papa Run
Run, Papa Run
The Way We Are
Some real atrocious choices (Painted Skin?! CJ7?! No Beast Stalker for Best Film?!), but I hope the voters will have some common sense left and let The Way We Are gets its day in the spotlight.
If anyone wonders how Claustrophobia got nominated, they had 5 night showings that were not opened to the public, but counted as having a week of release in 2008.
- Some Ip Man-related news today on Apple Daily: Wilson Yip and co. will start shooting the sequel this summer with a target release date of February 2010 (probably the next Lunar New Year slot), and Mandarin Films has already greenlit a second sequel as well. Right now, the filmmakers are looking for Jay Chou or Shaolin Soccer’s Chan Kwok-Kwan (aho already played Bruce Lee in the CCTV drama) to play Bruce Lee.
Meanwhile, Tony Leung said that Wong Kar-Wai plans to begin shooting his version of the Ip Man story in June, but he also says WKW may not even be done with shooting the film until the third Ip Man movie has been released, and that he expects that version to take a path that strays from Wilson Yip’s action film.
- From Youtube is the trailer for Gegege no Kitaro and 10 Promises with My Dog director Katsuhide Motoki’s crazy looking Kamogawa Horumo (info from Nippon Cinema). It looks crazy, but I have little faith in Motoki’s work in general.
- It’s reviews time! Both reviews are from Hollywood Reporter Asia today - one for Ivy Ho’s Claustrophobia from Peter Brunette, and by Neil Young is the review for Funahashi Atsushi’s Deep In the Valley, which was shown at the Forum section of the Berlin Film Festival.
- It already went through the TELA’s rating system in December, and now Sex and Chopsticks II has a poster which reveals a release date of March in Hong Kong. See you at the Dynasty.
- In other release news, despite a generally weak European Film Market at Berlin, America’s Magnolia Pictures, who brought the cut version of Ong Bak 1 and the uncut version of Chocolate to the United States, has picked up the American rights to Ong Bak 2.
- Under “Japanese TV drama” news , the moderate hit drama Zettai Kareshi is coming back for a one-episode drama special this spring.
Meanwhile, actor Jo Odagiri is returning to TV after Jikou Keisatsu for a TBS drama next season, co-starring Masami Nagasawa as his sister.
Lastly, the weekly variety show Goro’s Bar, hosted by SMAP member Goro Inagaki, will be turned into a drama special that will feature Inagaki playing the owner of a bar instead of him pretending to be a pop star pretending to be the owner of a bar.
- Chen Kaige talks about making Forever Enthralled at the Berlin Film Festival, where the film is the only Chinese-language film in competition. He talks about the pressure of having opera star Mei Lanfang’s son as a consultant and how important liberty is. Surely, he’s only able to say that outside of China.
- Lastly, further proof why Naoto Takenaka is the most awesome actor working in Japan.