July 29th, 2009
- Still on 105 screens, Harry Potter continues to rule the Hong Kong box office. However, it also suffered a huge drop in its second week, which means it may not end up going much further from the current HK$37.5 million take, especially with Disney/Pixar’s Up opening this weekend. Meanwhile, Public Enemies beat out the other opening films by a large margin, making HK$3.64 million over its first 4 days from 35 screens (note that it had a ticket price inflation for length), while Taken (which appeals the same group of audience, sans female Johnny Depp fans) made just HK$1.86 million from 34 screens over 4 days, despite the heavy publicity effort.
With those two films, Murderer suffered a loss of screens and audience, but it has also grossed HK$11.2 million and will likely do better than The Detective and After This, Our Exile combined. Sad, but true. Written By looks like it will stop with about HK$4 million, which is decent for a borderline arthouse flick like this. However, the Hong Kong Film blog has been reporting strange grosses at Newport Theater chain theaters, though I always take their box office reports with a grain of salt because of a lack of source reported.
KJ continues to sell out showing, and has now made it to the top 10, making a total of HK$134,776 with just 1-2 shows a day on 2 screens, with more shows just added. It’s quite amazing. Also impressive in its limited release, the French film Paris 36 has made HK$119,686 on just one screen after 11 days on just one screen.
- In China, Alan Mak/Felix Chong’s Overheard and the new McDull movie both opened this past weekend. While both lost to Harry Potter, Overheard managed an impressive 35.3 million RMB (in perspective, Forever Enthralled opened with 42.2 million RMB, and Painted Skin opened with 40 million RMB, though both opened just before holiday periods), and McDull opened with 33 million RMB, which breaks the record set by Chinese animated film Pleasant Goat and Big Big Wolf for the opening of an animated film. Supposedly.
Meanwhile, even though the Chinese comedy One Night in Supermarket made only about 8 million RMB in its first week, it’s been packing shows in certain areas, prompting theater owners to call it the next Crazy Stone. Areas like the Southern region of Guangdong, where comedies from the north like this one don’t do too well, is even starting to add shows.
- In Japan, no newcomer really challenged the existing films, so everything stays the same, except Ice Age 3 flops with a debut at 10th place on the admission ranking chart. At least it replaced Transformers 2. Now we know at least two things about the Japanese market: They don’t buy into the 3D thing, and they don’t buy into Americans messing with their franchises. Wait, does anyone know how the Hollywood take on Godzilla did in Japan?
And since I said I don’t do box office reports that don’t quote sources, I will refrain from looking at blogs that report numbers without sources. Not even Japanese ones.With eight of the top ten local hits, naturally Toho is the highest-grossing distributor of Japan, especially when their hits are more moderately-budgeted films like Rookies and April Bride, even though they also have the mega-budget 20th Century Boys to take care of.
Nevertheless, the real news is that box office earnings in Japan is up 17.6% this year over the same period last year.
- No South Korean numbers out yet, but there’s already reports of disaster film Haeundae scoring a huge opening over its first 5 days with 1.57 million admissions, knocking Harry Potter off the top spot.
-In Summer 2009 Japanese drama ratings, I already mentioned last week that Buzzer Beat didn’t fall as badly as Kankatsu! in its second week. Kareinaru Spy now has the biggest drop of the season anyway, dropping to an 8.3% rating after the 15.6% it got for its premiere. On the other hand, Tsuyoshi Kusanagi’s Ninkyo Helper managed to bounce back a bit with a 14% for its third episode. It’s now the highest-rated drama this season so far.
Believe or not, the second highest-rated series so far this season is the 9th season of the “Wednesday Mystery” drama Kasouken no Onna, with a current season average of 15%. However, its ratings have been slipping, but if it keeps up, it will be its highest-rated season, and if Ninkyo Helper slips again, it may even be the first season to top the season average.
- As I mentioned in the Twitter, Hong Kong arthouse theater the Cine-art House, which was known for being one of HK’s only arthouse and the patience for showing limited releases for hundreds of days at a time (it still holds the record for longest period of release with the Japanese film The Yen Family, which played for 524 days.), will be officially reopened this week in the residential neighborhood of Kowloon Bay, even though it’s been operating as Cine-Art for the last two months (I saw Largo Winch there a few weeks ago). The lease is six years long, and the owner is looking to recoup its cost within 3-4 years.
Playing a mix of foreign arthouse films and commercial films, it will also be doing morning shows of older films and a Chinese film retrospective in September. After all, the Cine-Art house is own by patriotic company Sil-Metropole, who recently closed down Kwun Tong’s Silver Theater, only two subway stations away from the current Cine-Art House location.
- After Twitch wrote about a rumor involving Hong Kong director Andrew Lau taking over directorial duties on the film Bodyguards and Assassins after Teddy Chen quit/fired over disagreements with producer Peter Chan, it’s now confirmed that Lau has indeed joined the production. No details, though, about the extent of Lau’s participation or whether Teddy Chen really did return to the set, as Twitch also reported.
- The Network of Asian Fantastic Films, the projects market of the Puchon International Fantastic Film Festival, just wrapped up its second edition, with plenty of praise from its guests. Four films, two of them Korean or partly Korean, won post-production support awards.
- With almost all Chinese films pulled out of the Melbourne Film Festival over the documentary about exiled Uighur leader Rebiyah Kadeer and its website hacked by presumably Chinese hackers, the festival is now considering going the Venice Film Festival route of making potentially controversial China-related films surprise films in its future editions.
Food for thought: Does anyone else think that these producers pulled their films out of government pressure/need to appease government position to keep their careers? Just a question, not an opinion.
- Even though the second Umizaru film was advertised as the last one yet, Fuji understandably changed their minds after it became the highest-grossing local film of the year, and the third film, featuring essentially the same damn story as the second film, will be coming in 2010. For people who called their sequel Limit of Love, they certainly don’t know what “Limit of Franchise” means.
-Hong Kong director Lee Kung-Lok, perhaps best known for My Mother is a Belly Dancer and co-directing Fu Bo with Wong Ching-Po, will be directing the romantic comedy Let’s Fall in Love in Beijing, and Hong Kong’s Sundream has now joined the list of investors, which also include China’s Polybona and Korea’s IHQ.
- Netizens in Hong Kong has discovered similarities between the new commercial for electronics retailer Broadway featuring Joey Yung and a commercial for Microsoft portable music player Zune. I can’t even get myself to be surprised about these things anymore.
Does anyone know which agency did the ad? I’m very very curious.
-It’s reviews time! Variety’s Ronnie Scheib has a review of the Shunji Iwai-produced effort Halfway, directed by TV writer Eriko Kitagawa, and Japan Times’ Mark Schilling took a look at Fuji TV’s Amalfi last week.
- Two departures to report in this entry:Malaysian director Yasmin Ahmad passed away over the weekend after suffering a stroke. At least two blogs on my rss reader has written about her passing, and they can write more and more eloquently than I ever can:
Actor Tetsuo Yamada, who was in Departures as a tough-talking widower, has passed away from cancer. His last film appearance will be in the upcoming epic The Sun That Doesn’t Set. He was 53 years old.