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Archive for November 4th, 2007

The Golden Rock - November 4th, 2007 Edition

- Let’s start with some AFM news:

CJ entertainment has already presold director Park Chan-Wook’s untitled vampire film to France and Russia before the director has even started shooting. Starring Song Kang-Ho, the film is about a priest who transforms into a vampire. I’m hoping it’ll be better than it sounds.

Fuji TV’s biggest movie of the market is the Stephen Chow-co-produced spin-off of Shaolin Soccer Shaolin Girl. The reason I used so many titles is because producer Chihiro Kameyama wants to make sure that no one sees it as Shaolin Soccer 2.

Thanks to the market, stills from Chung Siu-Tong’s The Empress and the Warriors, starring Kelly Chan, Leon Lai, and Donnie Yen, are popping up online. Hong Kong Film Blog points out that the armor designs seem to recall Jackie Chan’s The Myth. I don’t know if it’s just me, but I can’t get excited about big martial arts blockbusters anymore.

While Asian film companies go to the American Film Market hoping to get their films sold, they aren’t really biting at anything Hollywood has to offer this year.

- I’m not sure if this deal was done during the AFM, but several Japanese films are heading to North America thanks to those small distributors we love so much here at The Golden Rock.

- With the low budgets of Asian films, they really will let any company make a movie these days. That includes a certain Japanese multiplex that had a “Cinema Plot Competition”. The first winning film will star a newcomer and will be directed by Rainbow Song director Naoto Kumazawa.

- Like I wrote earlier, how can China’s official film award not name their pick for the best foreign film at the Academy Awards the best film? That’s why The Knot won 2.5 awards, including best film, half of best director, and best sound.

- The biggest CD now in Chinese-speaking record stores has to be Jay Chou’s latest album (with that horrible first single), and AP News says that it’s supposed to reflect his current life. Cue paparazzi listening to every song to make up stories.

- Speaking of Jay Chou, the teaser poster for his latest “film” Kung Fu Dunk is now in Hong Kong theatres, along with a teaser on Youtube. Just the title of Kung Fu Dunk and expecting audiences to be dumb enough to still buy a movie with a title like that is flat out insulting.

Of course, it’ll probably be a huge hit.

- Speaking of movies that will suck, Kaiju Shakedown has a bunch of movies Grady expect will suck.

On the other hand, he also names a few movies that might rock, although I’ve heard that Shamo is not one of them.

- As you all know if you read the blog yesterday, the Japanese sequel Always 2 opened this weekend, and it’s being commemorated with a diorama built by the film’s crew recreating the film’s set.

- Dave Spector, an American working actively in Japanese telelvision, says that Japanese drama suck quite a bit. There are still good dramas out there, just not most of them.

- The latest Batman film - The Dark Knight - is coming into Hong Kong to film this week, but apparently a scene of Batman jumping into the harbor has been canceled because it’s so damned dirty.

The Golden Rock - November 3rd, 2007 Edition

- Time for some news on Johnnie To/Wai Ka-Fai’s latest collaboration Mad Detective. First of all, Hong Kong’s Oriental Daily reported that the category-III crime drama has secured a November 29th release date opposite Danny Pang’s In Love with the Dead.

There’s also a trailer that’s finally up. Those mirror shots are pretty impressive.

- During the box office report, I reported that the Japanese sequel Always 2 is opening this weekend, and Japan Times’ Mark Schilling has a review of it. Looks like the conclusion is “strictly for fans.”

- Meanwhile, Mr. Schilling also has a feature about the Japanese Eyes section of last week’s Tokyo International Film Festival, while Philip Brasor shares his thoughts on the films he saw.

- Fuji’s 3rd Saturday 11pm drama SP premieres tonight in Japan, and Ryuganji reports that a movie version will probably be greenlit. Then again, the drama IS directed by the director of Bayside Shakedown and written by an award-winning author, so it might be good enough to warrant one. But will the ratings be any good to warrant one?

- Just a day after I wrote about my pessimism towards Andrew Lau’s latest big-budget project, Hollywood Reporter has an interview with the unofficial spokesperson for directors with ADD Andrew Lau himself.

 
 
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