April 17th, 2008
- It’s Oricon charts time! As expected, Ayumi Hamasaki’s latest single tops the singles chart in its debut week, but only beating out the male group Shuchishin by only about 5,000 copies in sales (in fact, the Billboard 100 Japan tells the opposite story; more in a bit). Zard (aka Japan’s Tupac) sees her latest release debut at 3rd place. Meanwhile, YUI’s latest album debuts at first place on the album chart, while Hideaki Tokunaga’s box set debuts at 6th place.
On the Billboard 100 Japan, Shuchishin takes the top spot purely based on sales alone, which would make it probably a rare occurrence in which the Billboard sales chart is in discrepancy with the Oricon sales chart. The Billboard 100 also count foreign singles (thanks to the radio airplay chart), so foreign acts such as The Hoosiers and Leona Lewis found themselves on the top 10 of the Billboard 100.
- Japan Zone introduces the next wannabe big R&B female singer in Japan, and she is Miho Fukuhara. But watching her video, she only seems like this year’s version of Ayaka more than her own thing.
- Twitch has a 5-minute preview of Tran Ahn Hung’s international thriller I Come With the Rain. I’m really surprised how good it looks and how much my expectation just shot up for this movie.
- I think I just found new plans tomorrow: Bandai just opened their first Asian game center in Hong Kong that will feature games that have not been released outside of Japan.
- This might get messy: A Korean production company signed a deal with a Japanese production company to make a live-action adaptation of the Japanese comic Captain Harlock. However, the comic’s creator has come out saying that he did not approve the film even though he knows about it. So what now? Lawsuits? Boycotts?
- It’s reviews time! Both from Hollywood Reporter today. First, Stephen Farber has his review of Forbidden Kingdom, which he claims “won’t enthrall anyone over 16.” Oh dear.
Then, Maggie Lee offers her review of Peter Chan’s award-winning The Warlords, though with a reported running time of 110 minutes, I suspect that it’s the non-director-approved international cut that Chan mentioned several months ago. Caution: it’s the cut that will be playing at the San Francisco International Film Festival.
- I only link this because I’m a fan: Japundit has a link to a very good interview with my favorite author Haruki Murakami.
- Japanese documentary filmmaker Tatsuya Mori writes an editorial in the Asahi Shimbun about the dangers of self-censorship, especially with the recent controversy about the documentary Yasukuni.