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Note: This blog expresses only the opinions of the blog owner,
and does not represent the opinion of any organization or blog
that is associated with The Golden Rock.

The Golden Rock - May 1st/May 2nd, 2008 Edition

- It was a public holiday in Hong Kong on Thursday opening day, so the box office gross were fairly high.Iron Man, which opened on April 30th here, had a pretty big May Day with HK$2.6 million from 57 screens for a 2-day total of HK$4.09 million. It should have no problem with hitting that HK$10 million mark by the end of the weekend. Another film with an impressive per-screen average is the period drama The Other Boleyn Girl, which made HK$254,000 from just 6 screens on its opening day. There’s also the Japanese film Mari and Her Three Puppies, which made HK$772,000 from 22 screens (with only one playing the original Japanese version). Wong Jing’s latest My Wife is a Gambling Maestro got past the HK$10,000 per-screen average as well with HK$371,000 from 27 screens on opening day. Hell, even crocodile thriller Rogue made HK$73,000 from 7 screens. Sadly, Lawrence Lau’s Besieged City made only HK$38,000 from 6 screens.

- It’s Oricon charts time! Korean boy band TVXQ’s latest single debuts on top yet again, with male trio Shuchishin staying at 2nd place. Meanwhile, Arashi’a latest album tops the albums chart, with Bennie K’s compilation debuting far behind at 2nd place.

More over at Tokyograph.

- On the heels of L For Love, L For Lies‘ success, writer/director Patrick Kong is already shooting his next film, though with the cast of Alice Tzeng and Andy On instead of Stephy Tang and Alex Fong Lik-Sun. Is he trying to move into auteur territory here?

- In related news, Stephy Tang has just started work on her latest film, a Chan Hing-Ka-directed comedy in which she plays an underwear inspector. The film also features Ronald Cheng, Andy On (the man’s got a lot of work lately), and the Shine Boys. Didn’t Chan Hing-Ka already make a comedy about underwear?

- Japanese newspaper Nikkan Sports have been revealing the winners for their yearly drama Grand Prix all week. Here are the winners:

Best Drama: Yukan Club
Best Actor: Jin Nakaishi - Yukan Club
Best Actress: Maki Horikita - Hanazakari no Kimitachi e
Best Supporting Actor: Shuichi Nakatsu - Hanazakari no Kimitachi e
Best Supporting Actress: Yu Kashii - Yukan Club

Be sure to remember that the winners were voted by the general public, and both these dramas feature popular idols. This means the result may not reflect the true quality of these shows.

- Organizers at the Cannes Film Festival have announced Blindness, the latest from City of God director Fernando Meirelles, as the opening film. This marks the first time a Japanese film has been selected as the opening film at Cannes because the film is actually a co-production between Brazilian, Canadian, and Japanese production companies. It also features Japanese actors Yoshino Kimura and Yusuke Iseya. Jason Gray has more details about the co-production deal.

- Under “various Korean film news” today, Twitch has a teaser for King and the Clown director Lee Jun-i’s latest Sunny, about a Korean woman who joins the entertainment troupe to find her husband fighting in the Vietnam War. Meanwhile, a Korean dance group will join the production of the latest Hollywood teen-oriented dance movie Hype Nation, with 60% of the film to be shot in South Korea. Tezza director Choi Dong-Hoon is now working on a big-budget superhero film. Lastly (because it’s only somewhat related), the horribly-titled multi-national martial arts film Laundry Warriors has wrapped filming.

- Emperor Motion Pictures hasn’t really had it hit in a while, so I’m just wondering, where did they get the money to finance in a major Hollywood production?

- In a recent visit to The University of Southern California, Chinese director Feng Xiaogang talks about how much he hated Forbidden Kingdom. These are his words translated (original Chinese text from Apple Daily):

“The film’s story itself is already problematic. It’s a mess. I just couldn’t keep watching. I don’t know why it’s doing so well at the American box office. I would not dumb down something to simply please the American audience. ”

I didn’t like the film either, but dyamn!

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