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Note: This blog expresses only the opinions of the blog owner,
and does not represent the opinion of any organization or blog
that is associated with The Golden Rock.

The Golden Rock - November 27th, 2007 Edition

- Takeshi Kitano appears on Japanese TV in variety shows often enough already, but audiences still can’t get enough of him: His latest acting role in a made-for-TV miniseries scored an average of 23.75 rating over Saturday and Sunday nights. That’s an even higher average rating than the highest-rated drama this season, and it was on the weekend.

- This isn’t a political blog, and this news isn’t meant to be political, but am I right in saying that a documentary that asserts the Japanese WWII war criminals are the equivalent of the seven samurais is probably a little absurd?

- It’s trailers time! Both courtesy of Twitch today- First, the English-subtitled trailer for the Thai action-fantasy film Siyama (yes, there’s supposed to be time traveling elements in the film that is completely ignored in the trailer). Then, the non-subtitled trailer for the gross-out Korean sex comedy Sex is Zero 2. You can already tell it’ll be grosser than the first film, which doesn’t necessarily make me want to watch it.

- Courtesy of Kaiju Shakedown are 5 clips from Pang Ho-Cheung’s latest film(s) Trivial Matters. With bong-smoking, swearing, and talk about oral sex, I’d be surprised if they can get away with a II-B this time.

- I’m starting to hate my vacation dates: Not only will I be missing Trivial Matters (unless it’s such a big hit and it plays through New Years), I’ll also be leaving Japan the day before the Nodame Cantabile special is scheduled to air on Japanese TV. D’oh!

- At least I’ll be back on time to see the new digital broadcast by Hong Kong free TV stations. Of course, I’ll have to first sink some money for a digital decoder or buy a HDTV. Which means I’ll probably be missing out anyway.

- Under “they mean really well” news today, the Beijing Film Academy produced a documentary about the China Disabled People’s Performing Art Troupe, and even took it to the American Film Market. However, despite some interest, it couldn’t find any buyers and it won’t even premiere in its homeland until March.

Meanwhile, Thai filmmakers are making their final protest calling for modification to the new Thai Film and Video Act, which could bring further censorship into the film system, despite the addition of a ratings system.

- Remember Lost in Beijing, the much-edited Chinese film that was forced to remove multiple scenes (including shots of dirty Beijing streets) before it cleared the censor board? The uncensored version was shown on Hong Kong screens (with a category III rating, which meant “no one under 18 allowed), and the censored version will finally be shown on Chinese screens with a wide release this week. Apparently, the critical nature of Chinese society remains in the film.

The European Union is getting more and more impatient with China over piracy, to the point that they’re threatening to go the principal’s office World Trade Organization about it.

- Huge Chinese blockbusters are not even going to premiere at the People’s Auditorium anymore: Now they’re going premiere in Olympic-sized venues!

- The Chinese father-and-son drama The Red Awn picked up the top prize at the Thessaloniki International Film Festival in Greece.

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