Again, it’s been a while. Chow Pak-Ho wears the message that I wish to share:
I know one person who owns this shirt,
and about seventy-five people who should wear it.
Welcome to your regularly scheduled bi-weekly Damn You, Kozo! blog post. As usual, I’d like to thank Apple Daily for supplying all our photos. Frankly, they’re the greatest newspaper in the history of time EVER.
Kelly Chen’s facial expression shows her appreciation of my sarcasm:
“Do you have to be such a prick?”
On to the actual subject here: Man, I’m beat.
The Hong Kong International Film Festival has finally ended the majority of its program, and I have zero screenings left to attend. I saw some good films and some bad films at the fest. Most will be showing up on LoveHKFilm.com as reviews, but there will likely be a few that I don’t touch. One film in particular I don’t wish to review because I was so unimpressed with it that even writing about it makes me sad. Also, despite the general perception that I’m picky and mean, I find negative opinion tiring and sometimes more damaging than saying nothing at all. So…at least one film won’t get reviewed.
Shawn Yue is down with that:
“Man, that’s awesome! I’ve so got the munchies.”
I also won’t be reviewing another film, Coffee or Tea, until its official theatrical release because the fest screening had a temp music track that I found egregiously overblown. As a result of its completely overwrought music score, my perception of the entire film was probably affected. I would prefer to wait a few months until its finalized before I pass judgment on whether or not I liked it.
Also, I got ill during the fest and missed three films, including a couple I was really looking forward to. Those films were the award-winning Home Song Stories, and quite sadly, the Lawrence Lau duo City Without Baseball and Besieged City. I’ll have to check them out later, but my attempt to be timely has failed miserably.
I did drag myself out of bed those days to check out a few films that I really wanted to see, including Sylvia Chang’s Run Papa Run, but thanks to my lack of complete recovery, I ended up with a five-to-seven day period of sluggishness and discomfort I fondly refer to as “Hell in March”. As a result of the sick days my work fell way behind, my LoveHKFilm.com review writing fell way behind, and this blog - which occupies a lower rung on the importance ladder than everything else in my life - fell totally behind.
So yeah, I’m tired. This is what I look like now:
Permanent ink is a real killjoy
Film Festivals are tiring - and potentially dangerous to my health - but I have to say that I really enjoy them. Prior to coming to Hong Kong, I was never really partial to film fests, but after attending a few here, I’ve changed my mind. I now like film festivals so much, that I simply can’t go a whole month without a new one.
As a result, I’ll be off to another film festival at the end of the week, the Far East Film Festival in Udine, Italy, where I’ll get to see one of Johnnie To’s new PTU television movies, plus The Sparrow, and a bunch of other Asian films that I look forward to checking out. I’m not sure why I’ve decided to go film-fest-o-rama with my life, but hey, that’s where the wind is taking me right now: to Italy, and far away from Hong Kong’s increasingly muggy weather.
As far as LoveHKFilm.com is concerned, all this rampant movie-watching means that I should probably institute a 600-words-or-less limit when writing future reviews because my potential review backlog will likely number twenty or more films. The other option is to turn off that portion of my brain, not review anything, and just act like your average paying audience member. It could make me happier. Like this man:
Andy Lau is thinking of the poor people
who paid to see All About Love.
Also, during my time in Italy, I will be completely unwired. I don’t have a working wi-fi laptop, and I don’t intend to queue for public workstations so it’s entirely possible that I won’t be checking out this site, this blog, or the entire damn Internet for close to a week. Once I return from Italy, I’ll have a whole slew of Hong Kong movies to catch up on reviewing, including the sequel to Barbara Wong’s Truth or Dare, plus the new Wong Jing spectacular My Wife is a Gambling Maestro. There’s also that Jet Li/Jackie Chan
debacle movie, The Forbidden Kingdom, to check out.
Considering the above, this may be the only time I update Damn You, Kozo! in April. I would say that’s sad, but anyway, most of the stuff that appears on blogs is extraneous and unnecessary, so we can think of this month as simply “cutting the fat” from this website and the World Wide Web at large. I’m happy to do my part to slim down the Internet. We should get an award for Bandwidth Conservation.
These guys are also enthused:
“We support your decision to conserve bandwidth!
Please stop this website and blog immediately!”
No problem. I’ll get right on it.