Wong Cho-Lam believes that we can save Hong Kong Cinema:

“Hong Kong Cinema fans, yes we can!”

If it’s not clear from his outfit and slightly darkened skin, that’s Wong Cho-Lam doing an Obama impression. Score another one against Political Correctness. I found myself so offended by the above that I immediately went to see TRANSFORMERS: REVENGE OF THE FALLEN.

 
Setting the art of cinema back two decades.

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Hi from Udine.

The lobby of Udine’s Teatro Nuovo

Nearly through the Far East Film Festival and today was the most important day thus far: laundry day. In an effort to make everyone else’s stay here far more pleasurable, I’m washing my clothes. This is proof that I’m always thinking about other people.

 
When I did this I could have been watching RULE NUMBER ONE again

The 11th Far East Film Festival is now over half over and unfortunately, the number of new Asian films I’ve seen thus far is rather low. Some highlights:

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Man, it’s been awhile. And it’ll probably be a lot longer before I write in this thing again because in a few short hours, I’m off to Italy. Again. My toys will miss me:

Carue and Chopper will guard my Blu-ray collection.

This year is the second year that I’m attending the Far East Film Festival. I get to go because I contributed to their catalog and book, plus I’m fortunate enough to have saved enough money for a plane ticket.  This is a special time of the year because it represents the end of a lot of stuff. The Hong Kong International Film Festival is over. The Hong Kong Film Awards and associated drama is over. The LoveHKFilm Awards and all the related busywork is over. All that’s left is the review writing, which I’ll get to when I get to. That’s what 2009 is about for me: not doing more than I have to.

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Happy Lunar New Year, everyone!

Rather, Happy Late Lunar New Year. I’m forever getting behind. I’m so behind, in fact, that I’ll post up this celebrity Lunar New Year photo from last year:

“I think this is going to be a good year!”

Yes, this photo was taken before…uh, that thing that happened.

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Aaaaaaaad, we’re back. These toys in my living room say “Hi”:

Clearly, my toy collection kicks ass

Anyway, the Hong Kong Asian Film Festival is now over. During that 17-day period I consumed 18 movies, 5 short films, 2 regular theatrical releases and plenty of bad food. Amazingly, I did not get sick, though I do recall nodding off during my screening of 881.

 
Hokkien musicals put this cat to sleep, too

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Damn You, Kozo briefly returns from the dead. In celebration, Yotsuba says “Hi.”

“You’re still reading this blog? Poor saps.”

It’s a new month, but I doubt I’ll be able to spend much time on Damn You, Kozo. That’s because the Hong Kong Asian Film Festival is occurring in just one week’s time, and before then I still have to write a review for PAINTED SKIN and maybe BUTTERFLY LOVERS. We’ll see how it goes. If I can I’ll squeeze in one or two entries between screenings.

(more…)

Like The Dark Knight, this edition of Kozo’s Mailbag is a sequel.

A reader named David sent me the following:

You should review The Dark Knight

Here are the reasons why:
1) I want to hear your opinion
2) Edison Chen is in it
3) Some of the action is set in Hong Kong
4) The low amount of Hong Kong movies

David is right about points #2-4, though I question why he cares about point #1. Still, his question was echoed by comments at the LoveHKFilm Facebook group, the LoveHKFilm Community, and on Damn You, Kozo itself. My original response was some jokey review of the 10 minutes that took place in Hong Kong, but that likely was not the answer that people were asking for.

So, here’s the rest of the story. Excuse my long-windedness, but this is what happens when you ask me my opinion of a movie, Hong Kong or otherwise. To make matters worse, I refuse to be that thoughtful and insist on posting my comments without editing for coherence, clarity, or spoilers. You reap what you sow.

Batman invades Hong Kong right in time for the Olympics

My short answer: The Dark Knight is a great movie, and worthy of most of the praise it’s getting. I believe its success lies more in content than in form, but the form is still pretty damn good and either way you slice it, this is a triumph for the comic book film genre. Comic books have not been your granddad’s funny books for up to forty years, and it’s great that film adaptations of comic book heroes are finally maturing. This is an exceptional case because The Dark Knight isn’t Sin City or 300, i.e. it’s not based on a completely dark media property. Batman has seen interpretations that range all over the spectrum, and some of them were more than a little cartoony. This is easily the character’s darkest depiction outside the four-color printed form, and as an audience member, I’m grateful for it.

A round of applause for everyone

Now for the long answer.

The Dark Knight is the best live-action Batman film, if not the best comic book film ever made. Christopher Nolan and company actually delve into the character beyond just his origin, and don’t reduce him to a masked foil facing an over-the-top cartoonish villain. The Dark Knight explores what it takes to be Batman; the billions of dollars and kickass technology help, but it’s Bruce Wayne’s sacrifice and will that make it possible to put up with all the crap that Batman has to. The filmmakers doesn’t trivialize the character, and actually attempt logic and reason in their exploration of the Batman character and his world. Batman is put in tough moral positions in the film, and his methods and choices aren’t always as successful as they are telling and appropriate. He discovers the consequences of putting on a mask to fight crime, and chooses to push forward because that’s what his crusade requires. The film is as faithful a live-action representation of Batman as we’re ever likely to see. For a lifelong Batman fan, The Dark Knight is a gratifying motion picture.

For everyone else? Maybe not. I’m actually a little surprised at how much positive press The Dark Knight has been getting, because this is not a film for families or audiences looking for anything remotely warm-and-fuzzy. I maintain that good times are still the primary attraction for the mass audience, and as such, it’s strange that this dark, violent, and pessimistic film would be getting so highly rated over, say, Wall-E, which manages to have its cake and eat it too. Wall-E is a thoughtful, intelligent, and also funny, heart-warming, and happy little movie. Frankly, I liked Wall-E more than The Dark Knight - but maybe that’s because deep down, I’m a sap.

Also, Wall-E’s depiction of a junk-filled Earth reminds me of my apartment.

This movie is pretty good, too

The Zeitgeist should get some of the credit for The Dark Knight’s popularity. Aside from the Heath Ledger factor, much has been written about The Dark Knight’s brilliance in encapsulating the War on Terror and the fallout from 9/11 into its complex, borderline confusing narrative. An article in the Wall Street Journal even interprets Chris Nolan’s Batman as a metaphor for George W. Bush. I would puke if I weren’t laughing so hard. Dark Knight does possess many themes and ideas that make intriguing metaphor for the War on Terror, and willing cinema readers and columnists should have a field day looking for a hidden agenda. There’s even a column out there talking about the significance of dogs in the film. I predict that many film theory teachers will soon receive a deluge of Dark Knight papers.

I think some of the discussion is overblown; sometimes a cigar is just a cigar. The film’s themes completely make sense for Batman, and have appeared in one form or another in the comics. Christopher Nolan and the writers (Jonathan Nolan and David Goyer) swipe from nearly 70 years of comics history, and while current events undeniably influenced Nolan’s cinema interpretation, reducing the film to a simple “Batman is George W. Bush” message ignores the character’s published legacy. George W. Bush is not as self-punishing a hero as Batman, and Batman’s problems aren’t as complex as George W. Bush’s. Also Batman takes fewer vacations.

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Fight the War on Terror and wear a kickass mask

However, Dark Knight has rightly been called out by parents groups warning of its inappropriateness for younger teens and kids. This film has disturbing images and themes, and possesses an intensity that goes beyond the stereotypical comic book film. The film is more than a little frightening, and I do feel for the disturbed tykes. However, as a film and comic book fan, The Dark Knight is a fantastic step forward for the super hero film genre. Comic books are our modern day myths, and deserve greater respect than as fodder for box office receipts, ancillary merchandising sales, and thinly-supported op-ed pieces. The Dark Knight succeeds in large part because its director wanted to make a Batman film on both his AND the character’s terms. The property is twisted slightly to fit Nolan’s realistic take on Gotham City, but the spirit and themes are faithful to the character and his source material.

If you’re a parent, though, I suggest you see the film first before piling your kids into the minivan for a family viewing.

He wants to watch The Dark Knight too.

Ultimately, I don’t think the film has a truly exceptional point of view, meaning it’s not really trying to give us a singular, overriding message. It gives time to various stories, themes and ideas - some could argue too many to efficiently process - but this, I think, is ultimately a strength of the film. The Joker, Batman, Harvey Dent, Commissioner Gordon, even Alfred - all of these characters offer different points of view in The Dark Knight’s exploration of justice, heroism and morality, and something worthwhile can be gleamed from each and every one of them. This is a great movie in large part because it possesses so much to think and talk about, even though it may not be saying anything that definitive. Postmodern superhero comics have arguably found their greatest impact when dissecting the role of the hero in our cynical times. Graphic novels like Watchmen and Frank Miller’s Dark Knight Returns are so fascinating because they take the superhero archetype and apply it to politics and the current cultural climate, and address the difficulties that come with seeking justice in a complex, compromised society.

Typically, revisionist Batman comics end up with a scene like this:

Batman has little patience for a tool of the Man

Not that The Dark Knight is perfect, because few films are. At two hours and thirty-two minutes, the film is a long haul, and could tax more than a few audience members with its enduring grimness. Christopher Nolan still needs some help in the action department; much of the action is difficult to follow, and is punctuated in a way that sometimes deflates the action (the flipped semi-truck is one large exception). Still, this falls into Nolan’s realistic take on the character, and Dark Knight one-ups Batman Begins by giving most of the action an emotional reason for occurring. Characters are put in peril, revenge is sought, and the stakes are considerably more felt. The film successfully creates the impression that anything - good or bad - can happen to its characters, and gives their choices and situations emotional weight beyond the expected good vs. evil stakes.

The actors are uniformly very good. I’d just be echoing every other person in the universe if I praised Heath Ledger’s frightening take on the Joker more, and Christian Bale is perhaps too good as Batman, in that much of the time, his character is also acting, if not as Batman (complete with that overdone, growly voice), then as his superficial playboy alter ego Bruce Wayne. The supporting roles are frequently well-written and the actors not wasted. The story is also very complete, though not without numerous plot holes that could easily be challeneged. Then again, plot holes are something that’s unavoidable in a film of this size and scale, and The Dark Knight never results to convenience to move the plot along. The film isn’t boring either, and Nolan makes judicious and very effective use of cross-cutting, raising the stakes and upping the tension of his film smartly. There’s a lot to follow in Dark Knight, and while it’s not always easy, the tension and emotion are very well conveyed.

For a commercial film, The Dark Knight has guts, and the perfect storm of media coverage and marketing have apparently prepared people for it. It’s a smart, dramatic, and compelling piece of blockbuster entertainment, and sells pessimism and tragedy because that’s what the story and situations require. At the same time, it delivers some great action film moments (I found the debut of the Batpod to be exceptionally cool). Audiences have responded incredibly well, though I do question the overwhelming public acceptance (I’m waiting for the film to fall out of the #1 slot on IMDB’s Top 250). If the film does receive some of that discussed Oscar consideration, it would be healthy. Popular entertainment should not be excluded from serious awards consideration simply because it’s for the masses. It may not win Best Picture, but I’d be okay with seeing it in the Top 5.

Best Picture Oscar, here we come!

Then again, I’m a massive Batman fan, so my opinion on this movie could be totally, completely out-of-bounds. Hell, I’ve seen it three times and will be checking it out on IMAX in two weeks. You’re welcome to completely disregard my comments on this film. I’ve been a fan of the character for way over 20 years, so if someone wants to tell me that I’m clouded by obvious bias, then they’re welcome to. That’s what blog comments are for.

As proof of my fandom, I own this:

Complete with alternate Christian Bale head

And this:

Monkeys love Batman

I also preordered this:

I have no idea where I’ll put this

Yotsuba and the Thing approve:

Soon, they’ll have more friends to play with

About the other Dark Knight issue

Edison Chen: pwned

The above graphic came from a bulletin board here in Hong Kong, and is easily the best thing about Edison Chen’s involvement in The Dark Knight. Honestly, it’s bizarre that Edison Chen took this part because it’s a total nothing role, and one wonders what he hoped to accomplish with this minor appearance. The part is so inconsequential that it’s beneath mention, and the only reason that anyone would bring it up is to wonder why Edison even bothered to appear in the film. Surely it couldn’t have been because he matched the skills of the rest of the cast.

“Edison Chen is in this movie, too?
We’d better bring our ‘A’ game!”

I’m operating from memory here, but I seem to recall that when Edison’s appearance was first bandied about way before Sexy Photos Gate, he was reported as saying that he wasn’t going to take the role because it was so small, but changed his mind because the director asked for him personally. Really? Did Christopher Nolan really say, “Edison Chen, please play Security Guard #1?” Honestly, I find that very, very, very hard to believe.

This photo convinced Christopher Nolan
to cast Edison Chen in The Dark Knight

It’s easier to believe that Edison took the role because he’s a Batman geek like untold millions of guys are, but if that’s the case he should have simply owned up to it. He would have earned much more cred with people had that been true. As it is, he was recently dissed on the radio by Sandra Ng and Lee Lik-Chee, who asked the question, “Why did Edison choose to appear in the film?” Basically, the part makes Edison look like a bit player, and not the A-list Hong Kong star he’s been reported as.

Besides, he was out of focus. True, maybe he was going to be in focus before Sexy Photos Gate, but how much could the role of “Security Guard #1″ have been expanded? Maybe he also directed Lucius Fox to the bathroom, or opened a door for him. Someone recently suggested to me that maybe they cut a fight scene between Edison and Batman. While it would have been great to see Batman whale the tar out of Edison, I seriously doubt it’s on the cutting room floor. If deleted scenes reveal something different, I will gladly apologize and shut down LoveHKFilm.com as penance.

Wrapping Up

To finish this Batman-themed megapost, here’s a random memory:

Damn You, Kozo! You could have prevented this.

Back in 1994, I was working as an intern on the Warner Bros. lot and I delivered a package to the office of some director who had recently arrived on the lot. That director: Joel Schumacher. His new project: Batman Forever. I handed the package to his assistant, but I recall seeing Mr. Schumacher sitting in his office, feet propped up on his desk, and talking on the phone. At the time, I thought, “Wow, this guy is going to make the new Batman movie!” I was actually quite excited at the thought.

Had I knew then what I know now, I could have sprinted past his assistant and given him a severe Korean gangster film-inspired beating, thereby preventing him from ever destroying the franchise. Hindsight is a bitch.

Had I done the smart thing in 1994 and kneecapped Joel Schumacher, it would have landed me in jail. I would have been branded a criminal - a guy who attacks big-time Hollywood directors without provocation. But, if I had succeeded I would have spared the still-fledgling Internet generation from the horror of two Schumacher-directed Batman films. More importantly, the Batsuit-with-nipples and its omnipresent Internet meme might never have existed.

I could have been an unknown, unappreciated, and unheralded hero. Hey, just like Batman in The Dark Knight!

Sadly, I’m just a guy with a bunch of stuffed monkeys on his desk.

That’s it for Batman, who is hereby being served with a LoveHKFilm Embargo™, meaning we’ll be banning him from this website for a good long while. Batman is not Asian film-related, so he shouldn’t be wasting our time. This is the last time I’ll talk about Batman on this blog.

Unless I buy more toys. Or it’s related to Edison Chen.

He lived to become the villain

LoveHKFilm.com reader Petra asked this question a couple of months ago after the first installment of Kozo & Yotsuba in Italy - which, by the way, has yet to see a second installment because I got too busy with work and lots of review writing. And when those things finally dried up, we had this monstrosity descend upon Hong Kong:

Some random individual gawks at
Tony “Tiger Face” Leung from Red Cliff

Petra’s question was, “Who is Yotsuba?”

While not an Asian film-related question, it happens to be a very appropriate one, because I featured numerous pictures of Yotsuba in that earlier blog entry. Doing so was wrong of me, because I incorrectly assumed that anyone who dropped by this blog either A) knows who Yotsuba is, or B) won’t care one way or another. As this is Damn You, Kozo! and not something anyone would confuse with a quality blog, I figured I would be safe without the explanation.

Well, I was wrong. And even though a simple search can lead you to Yotsuba’s Wikipedia page, I thought I’d explain it here.

Yay, Yotsuba!

Yotsuba is the name of a mischievous little girl created by Kiyohiko Azuma, the manga creator and all-around genius who also created a fun little gag manga called Azumanga Daioh. Yotsuba stars in the manga Yotsubato!, which basically translates as “Yotsuba &!”, with the ampersand connecting his main character to any number of things, including firecrackers, presents, global warming, flowers, and other things that may pop up in everyday life.

What makes Yotsuba interesting and fun is simply her interaction with everyday things, and the surprising honesty, impetuousness, and rampant misunderstanding that a child may display when dealing with things like school projects, ice cream, strangers, the supermarket, next-door neighbors, and trips to the beach. Yotsuba also has a bizarre green hairdo that represents a four-leaf clover. In Japanese, “Yotusba” means four-leaf clover. There’s your language lesson for the day.

Yotsuba and Cats

The manga’s motto is “Enjoy Everything”, which explains it far better than I ever could. Both Yotsuba and the stars of Azumanga Daioh have made appearances on LoveHKFilm.com before, namely as featured images on the old Life with Kozo pages. I dumped them there because I enjoy both immensely; both share the same whimsical and frequently unexpected sense of humor, and both are free of fan service, violence, or any of the extreme subjects sometimes associated with Japanese manga and animation.

Please remember, not everyone who likes Japanese animation is a pervert. I include myself in that category, though I have been referred to as a pervert on the Internet before. Fitting enough, it was a comment made on some Ekin Cheng forum somewhere.

The gun is sold separately:

“This is for all those Ekin fans! Die, Kozo!”

Anyway, Petra also asked where she can get her own Yotsuba action figure. A Yotsuba Revoltech Action Figure can be purchased from YesAsia.com or any number of online retailers, though there’s not that much Yotsuba schwag currently available. There is, however, a very nice calendar that combines photography with color illustrations of Yotsuba, placing Kiyohiko’s fictional mischief maker into a real-life context that perfectly summarizes her adventures and appeal.

Unfortunately, it’s sold out

Yotsuba isn’t about wacky hijinks or over-the-top strangeness; it’s a simple manga that’s fun, familiar and even comforting, and there’s lots to enjoy in the character’s minor adventures. I said as much to Petra in my earlier email, and soon she got her own Yotsuba action figure, and even picked up a few issues of the manga.

She sent me a picture, too:

“I’m everywhere!”

This picture proves that this blog can make a small difference. At the very least, it’s probably done more than the actual LoveHKFilm website has recently. The next goal of Damn You, Kozo: persuading everyone that Hong Kong film is not dead. The first person I’ll try to convince is myself.

Anyway, I hope everyone who reads this becomes a fan of Yotsuba, too.

“See you next time!”

I figured I had to get this thing started sooner or later. I’ve neglected to write about so many things that this blog will soon turn into some sort of 20/20 hindsight memoir. I still haven’t blogged about the Aaron Kwok concert experience - and that was like 4 months ago.

“What, you still haven’t blogged about me?
But I’m just so bloggable!”

You sure are.

Anyway, since I’m now 10 reviews into the 24 movie backlog I’ve amassed - with absolutely no guarantee that I will actually be able to review all 24 films - I figured I should get started with the blogging too. It’s not like I have to get my whole trip out in just one post. Worst case scenario is I only get one part done and I forget the rest. It wouldn’t be the dumbest thing I’ve ever done online. The dumbest thing? Probably admit that I enjoy Seven Swords.

“Thanks! You may be the only person in
Hong Kong who still thinks I can direct!”

Anyway, on to the trip.

I think Hong Kong people primarily take pictures of two things: toys and food. Not to be outdone, I did exactly the same during my trip to Italy. I also took pictures of people and buildings, but I consider that a moot point because we all take pictures of people and buildings. I just didn’t take any photos of myself.

Regardless, this is a rare photo without food or Yotsuba in it.

In Italy, the cars are small

Not too long ago, I managed to journey to Italy for the Udine Far East Film Festival. This photo-essay is pretty much all I brought back, besides a copy of the 10th Anniversary Book and the Festival Catalogue, which features more information about Asian films than I could ever pretend that I know. And I can pretend that I know a lot.

Before I left for Italy, Yotsuba sat on my office desk with a couple of her friends:

Having a plush CJ7 may somehow be more
satisfying than owning the DVD

After we got to Italy, this is what she looked like:

“This canal behind me smells great!”

Yotsuba is a fine toy to bring on trips. Not only is she small and poseable, but she’s got an interchangeable head so you can pretend that she’s experiencing mood swings. It’s like bringing another person along, except this one doesn’t speak or hit you up for money.

Oh, yeah, I went to a film festival. From the outside it looked like this:

Nobody in this photo enjoyed Empress and the Warriors

The fest is located in Udine, a small city about a two-hour train ride from Venice. My photos of Udine are like the one four photos up: empty and quiet. Udine is a peaceful place, and much nicer to walk around in than, say Venice. Just compare these photos:

Udine

Venice

Big difference, eh? I’m not a crowd person, so yes, I much prefer Udine to Venice. So does Yotsuba. When faced with crowds, she gets murderously angry. This is Yotsuba with her unhappy face:

Someone must pay

I went to Venice on the film festival’s Horror Day, so I ended up skipping a whole day of blood and screaming and exchanged them for wall-to-wall tourists and overpriced gelato. One could argue it was exactly the same experience, only with more walking.

Anyway, since I was on vacation, I had gelato at 12:16 pm.

My crappy Swatch is proof of my poor eating habits

I had some nice food in Italy, too - like this insanely huge calzone that ended up counting as 2.5 meals.

I ate this in three bites

Of course when you’re on vacation you have to eat well. I was lucky and got to attend many nice dinners with insane spreads that tripled my calorie count. Like this one:

The reason for my current two-month period of fasting

If I were to rate my trip on the food experience alone, I’d probably give it an A-minus. I won’t give it a solid A because I never give anything a solid A. The film reviews I write are proof of that.

No trip to Italy would be complete without a shot of a gondola in a canal:

Rush hour!

A picture of a dog chained to a wall is required, too:

The black terror of Venice

In the interests of equal time, here’s a cat:

He’s relaxed because the dog is chained up

I also took a picture of one of these:

Vespa!

Plus another one of food:

To clarify possible confusion, I should note
that this picture was taken BEFORE eating.

By the way, the above picture is of wild herb risotto, and it was excellent - though a quick glance may make someone think ”partial digestion”. I shan’t elaborate. 

That pretty much wraps up Part One of my Italy trip. Part two will probably talk more about movies and my general impression of the Udine Far East Film Fest. Here’s a spoiler: I enjoyed myself. Unfortunately, none of the enjoyment mentioned in this post has anything to do with Asian film, meaning I’ve broken the #1 rule of LoveHKFilm.com Blogs: stay on topic. The #2 rule is try to blog at least once a week. Looks like I’ve broken that rule, too.

Let’s leave with this photo:

Me and some guy I met at the airport

I hear he had a good time in Italy too.

Hey, I went to Italy. Yotsuba went too.

 
I took more pictures of this toy than I did of myself.

Back from the Far East Film Festival, and already my calendar is jam-packed. Aside from a pile of stuff at work,  some social obligations, many loads of laundry, and the potential time-sink of Grand Theft Auto 4, I now have a review backlog totaling 20 MOVIES. That’s 20 films that I could potentially write about, starting with the HK independent movie The Way We Are all the way through Johnnie To’s Sparrow. In between are movies from Japan, Korea, Thailand, Indonesia, and even more Hong Kong. I better get started writing. Right now.

Sadly, I’ll likely write about only 10 of the 20 movies, and leave the others to never, as I’m not sure what my memory capacity is. I didn’t take many notes, and am relying mostly on festival catalogs to refresh my memory. If I find that my impressions of any of the films have faded too far, I’ll have to throw those to the wind. Hopefully Sparrow won’t be one of them.

“LoveHKFilm.com can’t remember my movie?
Yay! That’s one less negative review!”

In any case, this is the other stuff I will do over the next two weeks.

- See Happy Funeral, Barbara Wong’s sequel to Truth or Dare: 6th Floor Rear Flat
- See My Wife is a Gambling Maestro, the new Wong Jing-Nick Cheung epic
- Skip The Forbidden Kingdom, because it’s leaving Hong Kong in a hurry and I know it’ll be on video damn quick. With English subtitles.
- See Besieged City, the Lawrence Lau-directed film that I missed at HKIFF because I was sick.
- Get a haircut.
- Go on a diet to shed some of the 50 pounds of cheese and ham I ingested in Italy.
- Look at the possibility of two more LoveHKFilm Blogs.
- Get coffee with a friend who I put off getting coffee with for over one month.
- Solve one of those pesky content sharing deals I seem to get roped into all the time
- Arrange for the LoveHKFilm Awards Jury Dinner. Hot pot is a possibility.
- Sleep. Maybe.
- Write a review and update this blog.

I may publish a few photos from my trip to Italy, though I must warn people that they’re not very Asian-film related. At the very least, I took this one:

Man, those are some huge lips.