LOVEHKFILM.COM
- reviews - features - people - panasia - blogs - about site - contact - links - forum -
 
 
Search LoveHKFilm.com
Site Features
- Asian Film Awards
- Site Recommendations

- Reader Poll Results

- The FAQ Page
 
support this site by shopping at
Click to visit YesAsia.com
 
 
 
 
 
Musings from the Edge of Forever

Note: This blog expresses only the opinions of the blog owner,
and does not represent the opinion of any organization or blog
that is associated with RONIN ON EMPTY.

Archive for the ‘Shing Fui-On’ Category

Great Moments in Hong Kong Cinema #3: Chan Ho-Nam Beats a Guy with a Plastic Chair in YOUNG AND DANGEROUS

Ekin Cheng Innocent

Don’t be swayed by the man’s innocent act. He’s dangerous. And, uh, young, too.

[Periodically, Ronin on Empty will be taking a look back at some Hong Kong cinema classics, albeit with a specific emphasis on “Great Moments” — i.e. classic scenes that no Hong Kong cinema fan (old or new) should miss. Of course, “classic” will not only entail super-cool, gobsmacking moments, but also the downright ridiculous stuff, too. The numbers — #1, #2, etc. — are not indicators of ranking, but merely a way to keep a running tally of how many “great moments” we can list here. Readers are welcome to send in their own fave scenes as well.]

While studies say we’ve become increasingly numb to movie violence in recent years, I would argue that there are some filmic displays of violent acts that stick with you long after the film has ended. Perhaps Joe Pesci’s demise in Casino (1995) really got to you. Maybe the torture porn gore of the Saw and Hostel series was too much for you. Or maybe you even flinched at what that carpenter had to suffer in Mel “I’m not racist, I’m insane” Gibson’s The Passion of the Christ (2004).

No matter. All of those violent scenes pale in comparison to what poor Shing Fui-On (RIP: Big Sillyhead) had to endure in the first installment of the Young and Dangerous series. In the film, LoveHKFilm.com’s favorite actor, Ekin Cheng, plays a young and dangerous (naturally!) triad member named Chan Ho-Nam who has a bone to pick with Brother Sau (Shing Fui-On). For reasons I’ve never particularly understood, Ekin is absolutely obnoxious as Ho-Nam in this first film. Thankfully, his character improved in the sequels. Still, it was this first film in which we were introduced to his altogether unconventional triad weapon of choice — a plastic chair. Prepare to wince at the ferocity!

(more…)

 
 
LoveHKFilm.com Copyright © 2002-2017 Ross Chen