That’s probably because I hated it. I mean, can you imagine picking up a DVD and seeing these quotes?
“Extremely disappointing third entry in the 36th Chamber of Shaolin trilogy”
“Hsiao Hou […] plays quite possibly the most annoying Fong Sai-Yuk in the history of Hong Kong cinema”
“Disciples of the 36th Chamber is a lackluster sequel, and that’s putting it mildly.”
I don’t think that would help sell more copies.
As a side note, I remember contemplating buying a copy of Ong Bak in Singapore, and the one I picked up — purportedly a Mainland Chinese DVD, I think — had pull quotes from a BAD review of Iron Man on the back cover! It said something disparaging about Jon Favreau. Poor guy.
Snazzy Spanish Language Poster to Return to the 36th Chamber
I wasn’t planning on running three retro reviews in a row this week, but I’ve been pretty busy with my dissertation work, and since I’d already started with The 36th Chamber of Shaolinyesterday, I figured I might as well continue spotlighting the second and third entries in the series for today’s post and tomorrow’s follow-up.
This winning, but entirely unconventional sequel recasts the first film’s star, Gordon Liu, as a down-on-his-luck con artist learning the ropes from the very same character he played in the original movie: the venerable Shaolin monk San Te. That may sound confusing, but the role switcheroo actually turns out to actually be a casting masterstroke as it successfully solves the problem of trying to follow up a film like The 36th Chamber of Shaolin, which has a beginning, middle, and end to San Te’s arc with very little room for a sequel. By having Gordon Liu play a different character, one gets to a) experience the “journey”all over again in a way that wouldn’t make sense using the same character or a different actor as the rascally pupil.
I used to collect action figures, but I honestly cannot remember the last time I bought one. Now, don’t get me wrong, my lack of toy purchases has little to do with “maturity,” and more to do with the need to conserve personal finances. Oddly enough, collecting toys has become an oddly expensive proposition. Not only is the collector-centered “cool stuff” usually higher-priced, but even the mass-produced products that are actually intended for kids has increased considerably in the last few years. Yesterday, I saw that Target was selling DC Comics’ JLU line for $8.99.In fact, suggested retail price on these figures — no bigger than four inches tall — is $9.99. That’s highway robbery, if I ever saw it.
But money issues aside, the fact is, it might be fun to display a toy on my desk or bookshelf, but let’s face it, the dang thing inevitably ends up in a drawer or a box somewhere, so what’s the point? But I digress…
This content of this post may seem a bit unprofessional, but then again, I’ve never felt entirely professional about this LoveHKFilm.com writing gig anyway. Don’t get me wrong, I put my heart and soul into what I do for the site, but it’s not like I expect to be invited into the Hong Kong Film Critics Society anytime soon. With that in mind, I couldn’t help but be tickled when I saw the back cover of Dragon Dynasty’s Return to the 36th Chamber DVD:
Now does Roger Ebert track every time he’s been quoted in print advertisement or DVD boxart? Probably not. But I’m no Roger Ebert.
So if any you folks out there see pull quotes attributed to LoveHKFilm.com – or more specifically, quotes from Kozo, Kevin, or me — please let us know.
My picks for the Top Ten Hong Kong Films of the 90s, a LoveHKFilm.com Time Machine review, and my thoughts on such semi-recent fare as Storm Warriors, Accident, and Vengeance — unless I keep playing Yakuza 3 into the wee hours of the night, then all bets are off.